1 result for (book:tes1 AND session:9 AND stemmed:do)
[... 9 paragraphs ...]
As for others all fragments have (pause) are throwoffs or projections. Difficult to explain, I am not doing well. In a physical sense this board is a projection of wood or a tree, but in this case the board has less properties than the parent tree. The tree can grow, the board cannot. A personality fragment on the other hand never has less properties than its parent. This is the difference. A personality fragment has all the properties of its parents inherent, though it may not know how to use them. The board however cannot learn to grow, even though you stick it in the earth.
(Jane continues:) In a sense the present individual in any given life could be called a fragment of his entire entity, having all the properties of the original entity, though they remain latent or unused. The personality fragment in this sense can learn to develop what it has, rather than seek new powers. There are no new powers. The image that your friend saw was, as I said, a personality fragment of his own. It contained all the abilities of your friend, whether latent or not I do not know. This type of personality fragment is of different origin than your friend, who is himself a fragment of his own entity. We call this type a split personality fragment, or a personality image fragment. Usually it cannot operate on all levels of your physical plane.
[... 11 paragraphs ...]
Please do not comment, because Jane is having enough troubles with me tonight as it is. Ruburt, you are doing fine. Speaking about the problem you mentioned, because your aggressions are fairly well controlled consciously, and because in the present your creative energies are in the realm of your subconscious, at this stage they can be, and often are, used to create unhappy image personality situations such as at York Beach. You can rely to some extent on Jane’s intuition, which has been strong in all her incarnations. However, often she will only recognize something strange, and be unable as in that case to pinpoint the trouble.
[... 6 paragraphs ...]
(“Seth, why did I make Jane get up and do the twist with me in that dancing establishment at York Beach?”)
[... 20 paragraphs ...]
(“When do you want us to contact you again?”)
[... 6 paragraphs ...]
(The couple seemed detached from the room, observing, as we were also detached and observing. I wanted to speak to them, had strong impulse to do so but didn’t—after all, what on earth would I say? I mentioned my feelings to Rob, along with their uncanny resemblance to us, and also said that they could almost be us many years from now, though I certainly hoped not.
(Rob surprised me by asking me to dance, insisting even, though the dance number was a twist, and we didn’t know it. Reluctant, I agreed. We found ourselves on the other side of the floor, shoved next to the couple’s table, dancing very close. The woman smiled. I do not remember them leaving. We just looked up much later and they were gone. I am very poor at visual imagery yet their faces came to mind often during our stay at York Beach, and for months later after our return.)