“Seth material” search engine (Jane Roberts)

I do not know if Ruburt is less nervous before a session when you do not use the board, or more nervous. After so many sessions I would think that he would be reassured.

In the back of your mind is one question that I have avoided for many reasons. One of the main reasons for my avoiding it was the necessity of giving prerequisite material so that the answer would be at least partially comprehensible.

If this were fully understood you see, then there would not be the necessity of looking for some god. I am certainly not going into the God concept at this time, though you can be certain that I will cover it thoroughly, since it is itself an idea camouflage covering something much different.

The fact is that your plane originated because enough entities needed certain types of experience to warrant such a creation, and they set about forming it through the process of evolution. That I believe you understand. The smallest minute first portion represented the will and vitality of all the entities that would ever dwell upon the earth that would come after.

That includes constructing the earth itself, and when I spoke of the first particle I referred to the very first materialization of physical matter, period. It was this first particle before earth had its form to which I referred when saying that it was the result of the will of all the entities who would ever be born upon it.

I would like to go back to the difference between the dream world and the outside camouflage world again.

If you know that a situation is imaginary you are not going to bother trying to solve it. This way you have your actors taking the situation as it seems to be, but looking about in some amazement now and then to wonder how they got where they are, who constructed the stage and so forth. They do not realize that the whole thing is self-created nor should they in the main, since the urgency to solve problems would dissolve.

Art creations represent such an awareness, but here the creation of another plane must be intertwined with the camouflage pattern with which you are involved. That is, paintings would have no reality in your present stage of development as long as they remained simply in your mind, even to you. You are driven to give them “reality,” and put that word in quotes, through materializing them in terms of camouflage pattern. You do this to the best of your ability, but in order for the painting to have a reality in your world it must be materialized to some degree on the physical plane.

Art creation is a most basic creation then, not even a mimicking act but a genuine creation of another plane, done self-consciously from the perspective of an imprisoning camouflage pattern. Quite an achievement, therefore. It should be simple as an analogy to consider the next point, where the figure in a painting would not only have a certain consciousness for example but would have other freedoms also; and this would give you a limited conception of what is involved in the creation of other planes of more varied scope.

(“Would it help if we visited her?”)

I would also like to really bawl Ruburt out in strongest terms about his smoking habits. This time of year in particular too much smoking is not good; and he knows I was going to say this and blocked me nicely since the beginning of this session.

I intend to go into more material about various planes, and soon to give a comprehensive view of the inner senses and their mechanism and operation. If this is not too much for you I will add this: that the inner senses would correspond to the outer senses of the inner hidden self-conscious self, that is, separated by the subconscious from your ordinary conscious self.

Incidentally again, when I mentioned that paintings also experienced a certain consciousness I meant to add that they are not completely powerless even on your own plane, since they do exist in it. Naturally they can exert influence in it. I thought this would interest you in particular, Joseph.