1 result for (book:tes1 AND session:31 AND stemmed:repres)

TES1 Session 31 March 2, 1964 4/94 (4%) camouflage creation killing plane entities
– The Early Sessions: Book 1 of The Seth Material
– © 2012 Laurel Davies-Butts
– Session 31 March 2, 1964 Monday 9 PM as Instructed

[... 14 paragraphs ...]

At the same time the camouflage consciousness cannot be aware of the actual originator, and therefore must look for causes from the outside. In your dual system, that is, the two self-consciousnesses are more divided and alien to themselves than need be. The old idea of spirits pervading all physical matter actually represents an intuitive glimpse into reality that your sciences will finally arrive at in a long labored manner.

[... 3 paragraphs ...]

The fact is that your plane originated because enough entities needed certain types of experience to warrant such a creation, and they set about forming it through the process of evolution. That I believe you understand. The smallest minute first portion represented the will and vitality of all the entities that would ever dwell upon the earth that would come after.

[... 26 paragraphs ...]

Nevertheless it also partakes of the strange unity that unites all personalities beneath the camouflage pattern, while at the same time it is only partially connected to the camouflage pattern. In some respects art creations are a meeting of the dream world and the world of camouflage patterns, but in a deeper way art creations represent the appearance or materialization in the actual element of physical time of inner realities. That is, the inner individualistic self forces its vision and knowledge into the world of camouflage pattern, giving its dreams a physical reality denied to the usual dream. And here the use of energy for this purpose is conscious, that is the strong hidden self actually makes use of the camouflage conscious self and molds the two into a reality that combines two planes. This I hope will become clear as you read it over.

[... 14 paragraphs ...]

Art creations represent such an awareness, but here the creation of another plane must be intertwined with the camouflage pattern with which you are involved. That is, paintings would have no reality in your present stage of development as long as they remained simply in your mind, even to you. You are driven to give them “reality,” and put that word in quotes, through materializing them in terms of camouflage pattern. You do this to the best of your ability, but in order for the painting to have a reality in your world it must be materialized to some degree on the physical plane.

[... 32 paragraphs ...]

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