“Seth material” search engine (Jane Roberts)

On your particular kind of culturally organized grouping the camouflage is necessarily strong, and the outside senses correspondingly vivid. This of course is bound to block some inner data. At the same time it is the inner vitality which creates the camouflage to begin with. Joseph was right when he spoke of entities creating stages upon which to act out their problems. The point of course being that once the play begins the actors are so completely immersed in their roles that they forget that they themselves wrote the play, constructed the sets, or are even acting. The reason for this is rather apparent.

I am not worried that I am going to disturb the balance that exists, far from it. The fact is that realization to some degree can come and often does come after the play is well under way, and at this point the camouflage action is so involved that the realization itself appears in the framework of the camouflage, and is often indistinguishable from it.