now

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TES1 Session 31 March 2, 1964 16/94 (17%) camouflage creation killing plane entities
– The Early Sessions: Book 1 of The Seth Material
– © 2012 Laurel Davies-Butts
– Session 31 March 2, 1964 Monday 9 PM as Instructed

[... 8 paragraphs ...]

The question has to do with the so-called creation of your universe, the introduction of entities upon it, and of course with the cause or causes behind such creation. You know by now that you create your own camouflage-patterned universe, and I have tried to cover some of the mechanisms involved in this continuous, seemingly automatic creation.

[... 6 paragraphs ...]

You can see now why the problem of creation does not really exist in the terms that you first thought of it. During one session I mentioned that since self-consciousness even exists in all living things, then the question of the exact entrance be specified becomes irrelevant.

[... 4 paragraphs ...]

I hope I will be able to make this entirely comprehensible at some future time. Nevertheless I will state a few matters now and you will understand them more fully in later sessions.

[... 7 paragraphs ...]

(By now Jane’s delivery had speeded up to its usual rate.)

I will go into this also more deeply later. It is obvious by now that entities on any plane create that plane, and a strong portion of their personalities are similarly constructed to deal with the mechanics of the particular plane.

[... 8 paragraphs ...]

By universe I mean physical systems. That is, all you can see now are physical systems. I am speaking of the universe in your terms, as even being all that your telescopes can pick up. In a way your knowledge is limited to physical systems. I am speaking of the stars and planets you see in your sky, but not of the invisible systems that may exist simultaneously with them.

[... 8 paragraphs ...]

You were quite correct, Joseph, in your feeling that art created another plane, and now let me hit you with this one: that the paintings of an artist to some degree have a consciousness of their own, not imprisoned either by the form itself.

I suggest a brief break, and let me congratulate you my dear Joseph upon your latest manipulation of camouflage pattern in terms of your entryway. You will find it very beneficial. It will however mark the end of my suggestions. If possible heed the ones I have already made, but unless queried I will leave your physical situation at rest as it is very much better now.

[... 5 paragraphs ...]

(Now Jane sat down to dictate.)

[... 2 paragraphs ...]

If you know that a situation is imaginary you are not going to bother trying to solve it. This way you have your actors taking the situation as it seems to be, but looking about in some amazement now and then to wonder how they got where they are, who constructed the stage and so forth. They do not realize that the whole thing is self-created nor should they in the main, since the urgency to solve problems would dissolve.

[... 5 paragraphs ...]

(Break at 11:00. Jane was by now quite tired. She delivered most of the above material sitting down. Her voice was lower than usual also. In order to check a bit on whether any telepathy was involved between us, I told Jane I had a question I wanted to ask Seth, but was not going to voice it, at least not yet.

[... 3 paragraphs ...]

(“How is Miss Callahan now?”

[... 10 paragraphs ...]

(“It does. I’d like to ask you more about this when we’re not so tired. Now can I change the subject a bit?”)

[... 6 paragraphs ...]

Your cat sensed me in the beginning of the session. He is however rather acquainted with me now. It takes a while for Ruburt and I to get together so to speak, and at that time I was diffused and he was confused.

[... 2 paragraphs ...]

And now good night, peachies. Try to keep things on an even keel, and in quiet times remember to experiment with the use of your inner senses.

[... 1 paragraph ...]

And now Doctor Seth says good night. I won’t even request a fee. A most fond good evening to you both.

[... 2 paragraphs ...]

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