1 result for (book:tes1 AND session:31 AND stemmed:mind)

TES1 Session 31 March 2, 1964 8/94 (9%) camouflage creation killing plane entities
– The Early Sessions: Book 1 of The Seth Material
– © 2012 Laurel Davies-Butts
– Session 31 March 2, 1964 Monday 9 PM as Instructed

[... 7 paragraphs ...]

In the back of your mind is one question that I have avoided for many reasons. One of the main reasons for my avoiding it was the necessity of giving prerequisite material so that the answer would be at least partially comprehensible.

[... 3 paragraphs ...]

The patterns evolve according to certain laws. They merely reflect the ideas behind them, and these ideas you must realize originate from different sources. They originate in the subconscious, it is true, but before this an idea quality is received by the inner senses. Sometimes this idea quality is received as intuition, where it sparks into the conscious mind. But the conscious ego is the primary manipulator of camouflage patterns and the obvious mover. The actual material from which camouflage patterns are formed is the vitality which exists and which is unconsciously used by your personalities.

[... 22 paragraphs ...]

(A few days ago, while doing some painting, the idea had popped into my conscious mind unbidden that the very act of painting a picture involved the construction of a plane. I had mentioned it to Jane at the time. Resume at 10:03.)

[... 2 paragraphs ...]

(Seth’s following answer, through Jane, tallied so closely with the words forming in my own mind that once again, as in the 28th session, I wondered if telepathy might be involved, as in the case of John Bradley.)

[... 1 paragraph ...]

War does not exist on other planes. It exists on your plane as a byproduct of certain challenges which the creator-entities wished to solve through materialization. I have known that these questions were on your minds.

[... 18 paragraphs ...]

(Here Jane laughed. And here again, she proceeded to immediately answer the question that came to my mind.)

[... 1 paragraph ...]

Art creations represent such an awareness, but here the creation of another plane must be intertwined with the camouflage pattern with which you are involved. That is, paintings would have no reality in your present stage of development as long as they remained simply in your mind, even to you. You are driven to give them “reality,” and put that word in quotes, through materializing them in terms of camouflage pattern. You do this to the best of your ability, but in order for the painting to have a reality in your world it must be materialized to some degree on the physical plane.

[... 5 paragraphs ...]

(And however loose the fit, I can state here that Miss Callahan was the subject or question I had in mind and wanted to know about.

[... 26 paragraphs ...]

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