“Seth material” search engine (Jane Roberts)

The patterns evolve according to certain laws. They merely reflect the ideas behind them, and these ideas you must realize originate from different sources. They originate in the subconscious, it is true, but before this an idea quality is received by the inner senses. Sometimes this idea quality is received as intuition, where it sparks into the conscious mind. But the conscious ego is the primary manipulator of camouflage patterns and the obvious mover. The actual material from which camouflage patterns are formed is the vitality which exists and which is unconsciously used by your personalities.

This actual gathering up of prime vitality for the purpose of physical construction is not however truly automatic, and it is not truly performed unconsciously. The strong self-conscious self of which I have spoken, the self-conscious self of which your own personality is not aware, this self that faces into the inner world of reality, quite consciously draws upon the vitality and stuff of what is.

The conscious ego then manipulates this material for the purposes of camouflage constructions. The transformation of vitality into physical properties is done by this self-conscious self that faces the inner world. The subconscious is the link between these two self-consciousnesses, and here you find an acceptance by the camouflage personality of the materials at hand.

Nevertheless it also partakes of the strange unity that unites all personalities beneath the camouflage pattern, while at the same time it is only partially connected to the camouflage pattern. In some respects art creations are a meeting of the dream world and the world of camouflage patterns, but in a deeper way art creations represent the appearance or materialization in the actual element of physical time of inner realities. That is, the inner individualistic self forces its vision and knowledge into the world of camouflage pattern, giving its dreams a physical reality denied to the usual dream. And here the use of energy for this purpose is conscious, that is the strong hidden self actually makes use of the camouflage conscious self and molds the two into a reality that combines two planes. This I hope will become clear as you read it over.

The act of artistic creation is therefore one to study, since it involves the intricate workings of the dual self-consciousnesses of one personality, inner data being transformed through the subconscious and greater individuality being made possible because of this.

In the last analysis the channel for vitality or for vitality’s transformation into physical matter is of course the inner senses’ ability, and there is a counteraction here as far as the conscious ego is concerned. The conscious ego often blocks much energy. In dreams the blocking is minimized.

The inner senses operate on all planes and under all circumstances. The outer senses vary according to plane and circumstance. The outer senses are dependable only in terms of the definite plane for which they were constructed. Their purpose of course is to enable the conscious personality to recognize as valid camouflage patterns which are only valid under certain conditions.

On your particular kind of culturally organized grouping the camouflage is necessarily strong, and the outside senses correspondingly vivid. This of course is bound to block some inner data. At the same time it is the inner vitality which creates the camouflage to begin with. Joseph was right when he spoke of entities creating stages upon which to act out their problems. The point of course being that once the play begins the actors are so completely immersed in their roles that they forget that they themselves wrote the play, constructed the sets, or are even acting. The reason for this is rather apparent.

I intend to go into more material about various planes, and soon to give a comprehensive view of the inner senses and their mechanism and operation. If this is not too much for you I will add this: that the inner senses would correspond to the outer senses of the inner hidden self-conscious self, that is, separated by the subconscious from your ordinary conscious self.

And now good night, peachies. Try to keep things on an even keel, and in quiet times remember to experiment with the use of your inner senses.