“Seth material” search engine (Jane Roberts)

I do not know if Ruburt is less nervous before a session when you do not use the board, or more nervous. After so many sessions I would think that he would be reassured.

The question has to do with the so-called creation of your universe, the introduction of entities upon it, and of course with the cause or causes behind such creation. You know by now that you create your own camouflage-patterned universe, and I have tried to cover some of the mechanisms involved in this continuous, seemingly automatic creation.

In a very simple example, consider that you yourself use your own energy to create your dream world. In this way also you create your so-called real camouflage world, the only difference being that the dream world images do not have duration in physical time although they have duration in psychological time. And believe it or not, actually your individuality has much more freedom in the creation of your dream world, and this is the reason why the dream world does not appear consistent to others.

(A few days ago, while doing some painting, the idea had popped into my conscious mind unbidden that the very act of painting a picture involved the construction of a plane. I had mentioned it to Jane at the time. Resume at 10:03.)

(“Seth, what do you mean exactly when you use the word universe? Are you referring to just our own solar system?”

The self-conscious self on the other side of the subconscious has a freer hand in the creation of your dreams, since you are the only personality to whom they must be comprehensible. The camouflage world must be dependable, therefore you do not have such individualistic freedom.

Well, you will do well to give our peppery Ruburt his old divider or whatever up front but otherwise you are free as far as I am concerned.

(This time Jane was pretty well dissociated. She said that part of her knows when she smokes a cigarette, and part does not. I also asked her why she couldn’t sit down and deliver Seth’s messages, as well as do so much pacing. The question came up because I thought she was getting tired. Her voice was becoming hoarse. Resume at 10:36.)

If you know that a situation is imaginary you are not going to bother trying to solve it. This way you have your actors taking the situation as it seems to be, but looking about in some amazement now and then to wonder how they got where they are, who constructed the stage and so forth. They do not realize that the whole thing is self-created nor should they in the main, since the urgency to solve problems would dissolve.

Art creations represent such an awareness, but here the creation of another plane must be intertwined with the camouflage pattern with which you are involved. That is, paintings would have no reality in your present stage of development as long as they remained simply in your mind, even to you. You are driven to give them “reality,” and put that word in quotes, through materializing them in terms of camouflage pattern. You do this to the best of your ability, but in order for the painting to have a reality in your world it must be materialized to some degree on the physical plane.

Incidentally again, when I mentioned that paintings also experienced a certain consciousness I meant to add that they are not completely powerless even on your own plane, since they do exist in it. Naturally they can exert influence in it. I thought this would interest you in particular, Joseph.

One of these nights Ruburt will get his because I will alternate a few sessions of regular material with a few sessions having to do with his present family.