“Seth material” search engine (Jane Roberts)

You were quite correct, Joseph, in your feeling that art created another plane, and now let me hit you with this one: that the paintings of an artist to some degree have a consciousness of their own, not imprisoned either by the form itself.

I suggest a brief break, and let me congratulate you my dear Joseph upon your latest manipulation of camouflage pattern in terms of your entryway. You will find it very beneficial. It will however mark the end of my suggestions. If possible heed the ones I have already made, but unless queried I will leave your physical situation at rest as it is very much better now.

On your particular kind of culturally organized grouping the camouflage is necessarily strong, and the outside senses correspondingly vivid. This of course is bound to block some inner data. At the same time it is the inner vitality which creates the camouflage to begin with. Joseph was right when he spoke of entities creating stages upon which to act out their problems. The point of course being that once the play begins the actors are so completely immersed in their roles that they forget that they themselves wrote the play, constructed the sets, or are even acting. The reason for this is rather apparent.

Incidentally again, when I mentioned that paintings also experienced a certain consciousness I meant to add that they are not completely powerless even on your own plane, since they do exist in it. Naturally they can exert influence in it. I thought this would interest you in particular, Joseph.