“Seth material” search engine (Jane Roberts)

There is an inner sense, dear Joseph, that in a vague manner corresponds to your own inner images. That is, you use this inner sense quite inadvertently in your visions, except that as a result of your lack of consistent training you see these but dimly. Nor can you maintain them for long. You are of course familiar with the difference between the early movies, the stills without sound, the grotesque jerky motions, and the latest Technicolor achievements, with whatever embellishments have been added. In our attempts here in these sessions you hardly know what the camera is.

Now there is a point I would like to make regarding your inner visions, my dear Joseph, and also concerning any perceptions of this sort whether through pictures or any other means.

I suggest a brief break, and after it we will touch upon some of the reasons for this fear which man felt, and feels, for the whole portion of his being. Because actually it is the apparent difference within himself that he fears, and he has projected this fear upon the part of himself he considered less capable of fighting back. And this, dear friends, was a big mistake, because the part of him that he denies fights back with more power than he knows.

Dear Joseph, apropos of your remarks during your break: I feel concept patterns, or at least that is the nearest I can come to explaining it to you, and this my dear friend will involve our third inner sense when we really go into that discussion. It involves a different idea entirely from the first inner sense, which somewhat corresponds on a different level to your empathy. There is a subtle distinction between the two senses that sets them apart.

I suggest a brief break. And this time my dear Joseph, do copy your strolling wife and move about.