1 result for (book:tes1 AND session:22 AND stemmed:sound)
[... 17 paragraphs ...]
I was not trying to reach Ruburt in her sleep. Even I am not so bold as that. A woman’s slumber is after all a private and sacred thing. See how prim that last sentence would sound if it were merely written down without the lively, slightly sardonic inflection which I manage to give to Ruburt’s voice?
[... 1 paragraph ...]
This is just a short private little session. I have never completely trusted the written word half as much as I trust the spoken word, and on your plane it is difficult to trust either. But I do not feel that I could be myself as easily if you tried automatic writing, for example. I do not mind speaking through Ruburt’s mouth. Somehow the sound of the words is rather pleasant. But seeing myself transformed more or less into plain black and white words on a page of paper seems dull and uninteresting. And I have always enjoyed conversation, which is the liveliest of all arts. And I am speaking now of the social arts, dear Joseph. Already I can see you yelling foul. I did not mean that conversation was on an equal par with painting.
[... 4 paragraphs ...]
Because Ruburt deals in words it is easy for me to communicate in this manner. That is, Ruburt automatically translates inner data given by me into coherent, valid and faithful camouflage patterns, into words. The data that I give is not actually sound on my part. The transference of my data is automatic and instantaneous on Ruburt’s part and is performed through the inner workings of the mind, the inner senses and the brain.
[... 50 paragraphs ...]