“Seth material” search engine (Jane Roberts)

I would like to continue with some more personal data if this will not bother you. Any time you become uncomfortable you have only to say the word. I am not a doctor but I am certainly giving you a dose.

I intend to go into Ruburt’s peculiarities at my leisure, and I will. Nevertheless it is still you, Joseph, with whom I will be concerned for a while. The fact remains that Ruburt’s intuitions have been of fairly high quality. It is true that your particular talents can give variety and reason to many of Ruburt’s ideas. In many cases you could for example accept Ruburt’s basic intuitive impulse, and then make your own changes. For example you could have left your position at a much earlier time and then made your own plans accordingly. When you both are intuitively attracted to the same proposed move then in most cases it would be wise to make it. Because you are so—is the word wobbly?—after your exercises I suggest a short break.

(Break at 9:25. I had done my yoga exercises at 8:30 and felt very relaxed and light-headed. My handwriting was very fluid. Smoking a cigarette during break, Jane received the words “—and as far as mediums are concerned—” but told Seth to wait until she had finished. She also admitted that she had been somewhat upset with Seth because of what he had told me the last two sessions; this I had not known. Jane resumed dictating at 9:30.)

You cannot see a handful of air though your hands may be full of it. You know its effects, you breathe it constantly, but consciously you do not realize what you are doing. You do not know how air tastes unless you really think hard about it. It is fuel to your physical body and the idea of it comes very close to this fuel of the inner senses, which is not a camouflage effect and which is our vitality unsolidified, or the little wires which make up our imaginary universe. In other words these little wires move along constantly like little individual railway cars carrying fuel, and also are composed of the very fuel themselves.

A certain distortion must be expected, in the same manner that a distortion occurs in the form of your flying saucers. The painting in other words achieves a certain freedom from camouflage, while it cannot escape it, and actually hovers between planes in a way that no thoroughly camouflaged object could do. That is, something that exists completely in your plane cannot be evocative in the manner that a painting or, and this is for Ruburt, a poem can be.

As their instruments reach further into the universe they will “see,” and I suggest that you put the word see into quotes, they will “see” further and further but they will automatically subconsciously transform what they apparently see into the camouflage pattern with which they are familiar.