1 result for (book:tes1 AND session:19 AND stemmed:reason)

TES1 Session 19 January 27, 1964 4/79 (5%) camouflage fuel instruments plane brain
– The Early Sessions: Book 1 of The Seth Material
– © 2012 Laurel Davies-Butts
– Session 19 January 27, 1964 9 PM Monday as Instructed

[... 1 paragraph ...]

(Jane reports that during the sessions she now talks along on faith or trust in a way that she couldn’t do ordinarily. Also while delivering Seth’s messages her hands seem to be “fatter.” She first noticed this phenomena two sessions ago but for some reason never mentioned it to me. At times during a session her hands feel heavier and waterlogged, the fingers fatter, the palms thicker, so that when she makes a fist her hand has a different feel to her than ordinarily.

[... 12 paragraphs ...]

I intend to go into Ruburt’s peculiarities at my leisure, and I will. Nevertheless it is still you, Joseph, with whom I will be concerned for a while. The fact remains that Ruburt’s intuitions have been of fairly high quality. It is true that your particular talents can give variety and reason to many of Ruburt’s ideas. In many cases you could for example accept Ruburt’s basic intuitive impulse, and then make your own changes. For example you could have left your position at a much earlier time and then made your own plans accordingly. When you both are intuitively attracted to the same proposed move then in most cases it would be wise to make it. Because you are so—is the word wobbly?—after your exercises I suggest a short break.

[... 29 paragraphs ...]

Music, or rather a musical composition also achieves this state. Sculpture does not, for reasons that I will go into at a later time. The camouflage here however in the matter of a statue is too much like a prison. I am going to suggest a break. You may fly in as many pieces as you like at once.

[... 17 paragraphs ...]

Mental enzymes transform vitality into the particular camouflage patterns. Mental enzymes as I have said have a chemical reaction on your planet. This explains the reason why a chemical imbalance in a physical body will also show itself as a corresponding distortion of sensual data. That is, when the chemical balance is disturbed the physical world will appear to have changed.

[... 15 paragraphs ...]

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