“Seth material” search engine (Jane Roberts)

I intend to go into Ruburt’s peculiarities at my leisure, and I will. Nevertheless it is still you, Joseph, with whom I will be concerned for a while. The fact remains that Ruburt’s intuitions have been of fairly high quality. It is true that your particular talents can give variety and reason to many of Ruburt’s ideas. In many cases you could for example accept Ruburt’s basic intuitive impulse, and then make your own changes. For example you could have left your position at a much earlier time and then made your own plans accordingly. When you both are intuitively attracted to the same proposed move then in most cases it would be wise to make it. Because you are so—is the word wobbly?—after your exercises I suggest a short break.

You cannot see a handful of air though your hands may be full of it. You know its effects, you breathe it constantly, but consciously you do not realize what you are doing. You do not know how air tastes unless you really think hard about it. It is fuel to your physical body and the idea of it comes very close to this fuel of the inner senses, which is not a camouflage effect and which is our vitality unsolidified, or the little wires which make up our imaginary universe. In other words these little wires move along constantly like little individual railway cars carrying fuel, and also are composed of the very fuel themselves.

Effects would seem to be evidence, and therefore when you probe into seemingly empty spaces you will receive effects which will be evidence. In concrete terms, if a tree branch blows you can take it for granted that something moves the branch. You know wind by its effects. No one has seen wind but since at times its effects are so observable it would be idiocy to say that wind did not exist. Therefore you will come up against the basic stuff of the universe and feel its effects, though your outer senses will not necessarily perceive it.

It is not a matter of inventing new instruments any longer. It is a matter of using the invisible instruments that you have. These instruments may be known and even examined by their effects. This material itself is evidence. It is like the branch that moves so that you know wind by its effects; and a windbag like me by the billowing gale of my monologues.

The brain is of your plane. You may say that the brain is the mind in camouflage. Imagination belongs to the mind. It can be used by and is used by the brain for purposes of survival, and can sometimes be probed by physical instruments. That is physical instruments can be made to make the imagination move on occasion. But imagination is a property of mind, not brain, and no physical tool can force the imagination to conceive of an original conception or idea.

Physical tools may be used to force the imagination to move along in terms of its owner’s personal memories, but it cannot be forced to move along the lines of conceptual thought, because the imagination is in reality a connective fiber between the physical individual and the nonphysical entity.