1 result for (book:tes1 AND session:19 AND stemmed:here)
[... 32 paragraphs ...]
I have added here the addition of water to air, yet they are composed of the same elements. The elements are the blocks which build our camouflage. Air and water have many forms even on your plane. The elements change position constantly to transform the inner vitality or fuel from one camouflage pattern to another. Then why is it so difficult to understand that this happens on other planes and under different camouflage sequences?
[... 7 paragraphs ...]
Granted, your camouflage is in itself an effect. If you look at the observable physical world in this life, you can, it is true, learn something about the basic rules of the universe, if you take into consideration camouflage distortion. There is so much to be said here, and you have so much to learn that sometimes I have to admit that I’m appalled.
[... 3 paragraphs ...]
Music, or rather a musical composition also achieves this state. Sculpture does not, for reasons that I will go into at a later time. The camouflage here however in the matter of a statue is too much like a prison. I am going to suggest a break. You may fly in as many pieces as you like at once.
(Break at 10:35. It was here that Jane, remarking about her fat hands, worked her ring back on. It took much pulling to get it off. She did not experience this odd sensation of change in any other part of her body. Resume dictation at 10:55.)
[... 10 paragraphs ...]
The brain deals exclusively with camouflage patterns, transforming vitality into physical environmental camouflage patterns. The mind deals with basic principles inherent on all planes. The brain is itself part of the camouflage pattern, and can be interpreted and probed by physical instruments. The mind cannot be probed by physical instruments. It cannot even be found by physical instruments. The mind is the connective. It is here that the secrets of the universe will be discovered, and the mind itself is the tool of discovery.
[... 21 paragraphs ...]