“Seth material” search engine (Jane Roberts)

(Jane reports that during the sessions she now talks along on faith or trust in a way that she couldn’t do ordinarily. Also while delivering Seth’s messages her hands seem to be “fatter.” She first noticed this phenomena two sessions ago but for some reason never mentioned it to me. At times during a session her hands feel heavier and waterlogged, the fingers fatter, the palms thicker, so that when she makes a fist her hand has a different feel to her than ordinarily.

(Jane has long slim fingers with spaces easily observable between them close to the palms. Examining her hands midway through the session, we saw these spaces somewhat closed up; her index fingers also appeared to be thicker than usual. At the start of the session Jane removed her rings because they had become uncomfortably tight in the previous two. Inadvertently slipping a ring back on during a break, she had great difficulty getting it off. Normally it is easily removed.

You cannot see a handful of air though your hands may be full of it. You know its effects, you breathe it constantly, but consciously you do not realize what you are doing. You do not know how air tastes unless you really think hard about it. It is fuel to your physical body and the idea of it comes very close to this fuel of the inner senses, which is not a camouflage effect and which is our vitality unsolidified, or the little wires which make up our imaginary universe. In other words these little wires move along constantly like little individual railway cars carrying fuel, and also are composed of the very fuel themselves.

Your own experience with creativity should serve you well as far as this discussion goes. When you paint a picture, my dear egotistical Joseph, you are dealing with a transformation of energy and a transformation of camouflage pattern. There is a moment, a brief but vital moment in such an act of creation, when you are dealing with the underlying vitality of which I have spoken. You are forced because of your earthly physical situation to transform this creative energy into another camouflage pattern. There is nothing else you can do. But for this moment you pluck this vitality from the inner senses, you grab ahold of this fuel with both hands. You have it. You transform it into a somewhat different more evocative new camouflage pattern that is nevertheless more fluent, more fluid, than the usual pattern, and which gives greater freedom and mobility to the basic fuel or vitality itself. You approach a transmigration of planes.

(Break at 10:35. It was here that Jane, remarking about her fat hands, worked her ring back on. It took much pulling to get it off. She did not experience this odd sensation of change in any other part of her body. Resume dictation at 10:55.)

(Break at 11:10. During break Jane said Seth wanted to discuss there being more than one plane on earth. The phenomena with her hands persisted but her voice was normal. She resumed dictating at 11:18.)