1 result for (book:tes1 AND session:19 AND stemmed:distort)

TES1 Session 19 January 27, 1964 9/79 (11%) camouflage fuel instruments plane brain
– The Early Sessions: Book 1 of The Seth Material
– © 2012 Laurel Davies-Butts
– Session 19 January 27, 1964 9 PM Monday as Instructed

[... 21 paragraphs ...]

I will go into this more deeply also. I am merely presenting a brief outline of the direction in which this material will go in the future. If you will ignore the apparent distinction between inner and outer senses you will get along at a faster rate. Even though they are not different things I must speak of them differently because they appear so on your plane. This is caused of course by the typical camouflage distortion effect, which occurs on almost every plane to some extent.

(Jane later said that this phrase, camouflage distortion effect, was to be a very important one.)

[... 17 paragraphs ...]

Granted, your camouflage is in itself an effect. If you look at the observable physical world in this life, you can, it is true, learn something about the basic rules of the universe, if you take into consideration camouflage distortion. There is so much to be said here, and you have so much to learn that sometimes I have to admit that I’m appalled.

[... 2 paragraphs ...]

A certain distortion must be expected, in the same manner that a distortion occurs in the form of your flying saucers. The painting in other words achieves a certain freedom from camouflage, while it cannot escape it, and actually hovers between planes in a way that no thoroughly camouflaged object could do. That is, something that exists completely in your plane cannot be evocative in the manner that a painting or, and this is for Ruburt, a poem can be.

[... 5 paragraphs ...]

I do not want to get too involved. However by certain means the instruments will themselves transform data from terms that you cannot understand into terms that you can understand. Scientists do this all the time. However what this involves is a watering down of data, a simplification that distorts all out of shape, the original is hardly discernible when you are done. You are destroying the meaning in the translation.

The instruments themselves do this transforming, transforming say the idea of time or light years into sound patterns, radio waves and such. You lose too much in this process. What you get is so distorted that you have absolutely no near perception of the original. I will go into this much more deeply, as there is much more to be said on a technical level. But when you decipher one phenomena in terms of another you always lose sight of whatever glimmer of understanding may have reached you.

[... 3 paragraphs ...]

Scientists realize that the atmosphere of the earth is a distortion, or has a distorting effect upon their instruments. What they do not understand is that their instruments themselves are bound to be distortive. This cannot be emphasized too strongly. Any material physical instrument will have built-in distortive effects. The one instrument which is more important than any other and which has given you, that is mankind, all its breakthroughs and advance is the brain. Or rather the mind which contains the brain, and which is the meeting place of the inner and outer senses.

[... 4 paragraphs ...]

Mental enzymes have a chemical effect or reaction on your plane. That is they can be observed on your plane through their chemical effect in it. But the effect itself is a distortion. On other planes the distortion effect may not be chemical at all. I have spoken of your plane rather than of your planet because earth is one of the planets that contain many planes.

[... 2 paragraphs ...]

Mental enzymes transform vitality into the particular camouflage patterns. Mental enzymes as I have said have a chemical reaction on your planet. This explains the reason why a chemical imbalance in a physical body will also show itself as a corresponding distortion of sensual data. That is, when the chemical balance is disturbed the physical world will appear to have changed.

[... 15 paragraphs ...]

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