“Seth material” search engine (Jane Roberts)

You will find the above-mentioned exercises more beneficial than you imagined. Because you were such a fleshpot particularly in one of your lives, shall I call it the Denmark incident, at times you overcompensate. You hold yourself in such tight bonds that occasionally you can hardly breathe. Too much of a good thing is a bad thing.

This is certainly contradictory. Fantasy left you cold. I say this icily. Intellectually you would have no part in it, yet your imagination spun its fantastic web despite the fact that you believed in neither fantasy or web. Your artwork showed promise from the beginning. Your imagination was rich and varied. But you so feared your present mother’s sense of exaggeration, that led often to sheer though unwitting lies and dishonesty, that you denied the capacity of the imagination lest it also lead you into ways of deceit.

This of course happened at a young age. At the same time as a young child you almost adored your mother. This led to these conflicting feelings toward freedom of the subconscious and of the imagination. Reinforcing this unfortunate circumstance, we have the carry-over distrust of impulse from the Denmark existence. Ordinarily the last life before this would have adequately compensated for the Denmark experience, but the mother situation in this life reawakened the fear of giving in to impulse, and tended to overstrengthen the desire for discipline, which was based on fear.