“Seth material” search engine (Jane Roberts)

(This morning at breakfast I had announced that light was also a mental enzyme, to Jane’s surprise and somewhat to my own. We opened this session by sitting at the board as usual, without asking questions. The answers, once we were underway, began through the board.

No. Light is a mental enzyme.

As far as light being a mental enzyme, this is true. I’m pleased that you came forward with this yourself. There are other mental enzymes of course. Whether we will go into this during tonight’s session I don’t know.

The main mental enzymes create senses on the physical plane in order that they may be recognized and appreciated by the physical being. The mental enzymes are the same basically throughout the universe, but their materializations on a particular plane are determined by the properties inherent in the plane itself. The quality called light on this plane could just as well appear as sound in another, and for that matter even on this plane light can be changed into sound and sound into light.

It is always interaction which is important. Even the mental enzymes themselves are interchangeable as far as the principle behind them is concerned, though for practical purposes they maintain separate and distinct qualities in their materializations in one plane. That is why it is possible for some human beings to experience sound as color, or to see color in sound. Granted this is not characteristic experience, but if the mental enzymes were not interchangeable in principle, then this experience would not be possible for any. Light would never be heard for example, sound would never be seen. Nor is color usually heard, nor sound usually seen.

Your light is a mental enzyme tipped me off that you were ready for this discussion. Needless to say solidified vitality and mental enzymes are dependent upon each other in many ways. The enzyme part of our little equation therefore permits vitality to operate successfully under diverse mental and physical situations, and to form the basis for each particular plane. (Pause.)

Frank Watts did indeed come from the state of sorrow. He was a makeup personality—that is, through Frank Watts I had to make up for past errors. Never a pretty proposition. These people who seem borne from sorrow to sorrow are often of this type. I should not make light of Frank Watts, since almost literally he redeemed me. This plane for Frank Watts was a plane of sorrow. I will of course make it all up to him, or try to. He has absolutely no sense of humor.

(Last night, Thursday, we decided to try a few experiments. Color card experiments yielded no results. At 8:45 I received the words, “No winds ever blew across the prairie but I was there.” We sat in semidarkness then, at a small white table in front of a full-length mirror. I tried to put myself into light trance. Rob asked questions and I began to answer, using my own voice, which was more wavery in tone than usual however. We had no idea of what effects we might get, and because of the poor light Rob did not take notes during the experiment. He did write the whole thing down immediately after.

(According to her, ectoplasm formed the various changes and materializations about my hand in our previous seance with Bill Macdonnel. Sessions, she said, should be regular. Darkness or very dim red light will produce the best results for beginners. Rob asked if it would be possible for me to continue in full light. Malba said light would not bother her, but might bother me. She said that the way Rob and I work together, we need both of us to succeed, and that our channels were open before the session. The color experiments failed because we were not prepared. The closet experiment failed because I did not believe it would work. [Reading about mediums and their cabinets, I stationed myself in a dark closet while Rob checked from outside for any ectoplasm or aura.]

(I had the feeling that Malba had trouble with pronunciation at times. I often spoke in a light fading voice.