“Seth material” search engine (Jane Roberts)

That is, in his feeling of unity with All That Is, he excluded other human beings, and on your plane it is necessary for the personality to relate to them. Only after such relation is isolation of that nature of benefit. Jane sensed her grandfather’s feeling of identification with the rest of nature however, and since she had not yet developed a strong ego personality as a young child she felt no sense of rejection as did, for example, the other members of the family. When he spoke of wind she felt like wind, as any child will unself-consciously identify with the elements.

As to your jottings this morning concerning art, very good, I commend you. You are already beginning to think in new and wider concepts. As your paintings are solidified feeling on board or paper, apparent in the physical universe and therefore vulnerable to the laws of that universe, so is the universe itself on your plane physical materialized feeling, only with more dimension than a drawing or a painting. There is however also an extra dimension in a painting than people usually recognize, beside the lines and color and form and content, which are as you said so aptly feeling solidified. You have the action of which you also spoke. First you have the action of the lines, form and content and so forth, caught and solidified, then as an observer looks at a painting feeling is again motion moving out from the painting into the beholder’s perception.

Perception of beauty through the senses is the trigger on your plane for subsequent inner perceptions. The two are so closely bound, through music for example, which can only be appreciated through the senses. Psychic actions take place which lead the individual beyond the senses. There is much more to be said here. There is a phrase which I will explain at a later date—inner senses—which you will find extremely interesting. By this I mean senses within the senses. I would use behind the senses but I believe this would lead to confusion.

Everything on your plane is a materialization of something that exists independent of your plane. Therefore within your senses there are other senses that perceive inward. Your regular senses perceive, or as Jane would like to say create, an outer world. The senses within them, that is within the recognizable senses, perceive and create an inner world, they perceive part of an inner world. This is difficult for me to explain to you. However as your regular senses are limited according to the plane which you inhabit—in your case dear friends on your plane extremely limited, I’m afraid—so are the corresponding inner senses limited.

It is almost as if you could see, feel, touch and perceive so much outwardly and feel, touch, see and perceive so much inwardly, though much more exists in all directions, of which you are necessarily ignorant. Once you exist on a particular plane you must necessarily be attuned to it while blocking out many other perceptions. (Pause.)

It is a sort of psychic focus, a concentration of awareness along certain lines. As your ability grows in relation with the environment of your plane then you can afford to look around, use the inner senses, and enlarge your scope of activity. This is only natural. Survival on a particular plane depends upon your concentration in that plane. Again, when survival is more or less satisfied by attention then you can avail yourself of the opportunity to turn your attention elsewhere.

On your plane no action is really simultaneous and so time instantly enters in. You mentioned yourself Joseph—oh see, you can’t hide anything from me—you mentioned earlier—I’m sorry, Ruburt needs a short break. A short one, Ruburt, should suffice.

To some extent though to a much lesser degree you can do this on your own plane, but in a weak fraction of a dimension. That is, you can perhaps sense or remember an earlier moment intuitively or capture an earlier moment visually as in a photograph, or audibly as in a recording. You can through motion pictures refer back to past time, capturing the visual and auditory data of a moment and even the apparent motion of its sequence. Viewing through your so marvelous television—ha—a historical moment for example you can refer to much that has passed.

While I am not affected by time on your plane I am affected by something resembling time on my plane. Time has no meaning without barriers. To put it another way, time has no meaning without the necessity to counteract against other actions.

I have said also that this feeling of vitality, and I prefer the term vitality, is moving and itself a part of the living stuff of the universe. Now as these wires pass seemingly from plane to plane they actually form the boundaries of each plane and become subject to the particular laws of the plane. Therefore they become subject to time on your plane. And they become subject to other laws, if not laws of time, on other planes.

The action and counteraction is the time trigger. To you this will be almost unbelievable, but on some other planes motion is simultaneous and time unknown. To me time can be manipulated, used at leisure and examined. To me your time is a vehicle, one of the several vehicles by which I can enter your awareness. It is therefore still a reality of some kind to me. Otherwise I could not utilize it in any manner whatsoever. As an example of my good intentions I will end this session.

(“Do you have friendships on your plane, as we do here?”)

I have friendships where I am of course. The one thing about your plane that makes it such a tempting field of endeavor for all of us here is of course that we still have ties of an emotional kind, and we attempt, though clumsily, to make contact with friends. As you yourself write letters to friends in strange countries and do not forget them, so we do not forget.

(“Do you have a sense of play and relaxation on your plane?”)

I like Jane’s plant very much. Green things are a touchstone of your existence. You notice I do not use the word planet but plane, since you do not have the whole kettle to yourself.