1 result for (book:tes1 AND session:14 AND stemmed:creat AND stemmed:own AND stemmed:realiti)

TES1 Session 14 January 8, 1964 7/128 (5%) solidified plane counteraction board cup
– The Early Sessions: Book 1 of The Seth Material
– © 2012 Laurel Davies-Butts
– Session 14 January 8, 1964 9 PM Wednesday as Instructed

[... 17 paragraphs ...]

He responded to his own attraction for her and was able to expand in her direction because she was not an adult. He was essentially childlike in one manner and yet he had little use for most people. Had he lived to see Jane mature the feeling between them might well have dissipated. (Joseph Burdo died in 1948 at the age of 68. Jane was 19.) He could not relate to another adult, and when in his eyes she joined the league of adulthood he would not have been able to retain his strong leaning toward her.

He never forgave his own children for growing up, nor did he forgive his wife for tending to earthly ways. Yet he related his own body, at least until the very end, very well with nature. He considered that he aged as a tree will age, but perversely he felt that others aged to spite him.

[... 14 paragraphs ...]

Everything on your plane is a materialization of something that exists independent of your plane. Therefore within your senses there are other senses that perceive inward. Your regular senses perceive, or as Jane would like to say create, an outer world. The senses within them, that is within the recognizable senses, perceive and create an inner world, they perceive part of an inner world. This is difficult for me to explain to you. However as your regular senses are limited according to the plane which you inhabit—in your case dear friends on your plane extremely limited, I’m afraid—so are the corresponding inner senses limited.

[... 7 paragraphs ...]

To some extent though to a much lesser degree you can do this on your own plane, but in a weak fraction of a dimension. That is, you can perhaps sense or remember an earlier moment intuitively or capture an earlier moment visually as in a photograph, or audibly as in a recording. You can through motion pictures refer back to past time, capturing the visual and auditory data of a moment and even the apparent motion of its sequence. Viewing through your so marvelous television—ha—a historical moment for example you can refer to much that has passed.

[... 13 paragraphs ...]

The action and counteraction is the time trigger. To you this will be almost unbelievable, but on some other planes motion is simultaneous and time unknown. To me time can be manipulated, used at leisure and examined. To me your time is a vehicle, one of the several vehicles by which I can enter your awareness. It is therefore still a reality of some kind to me. Otherwise I could not utilize it in any manner whatsoever. As an example of my good intentions I will end this session.

[... 23 paragraphs ...]

It’s almost impossible, I can see, to talk with you in a conversational manner for purely mechanical reasons. If I speak quickly in ordinary tones through Ruburt you simply cannot write fast enough to take the words down. Some night I will speak to you as I choose for my own enjoyment. We shall have an interchange, and for that one night the notes will get the boot. I promise to speak on fairly personal and inconsequential matters so that you do not miss my pearls of wisdom.

[... 32 paragraphs ...]

(Rob thought the concentration of writing a statement on how I felt would help. Instead my efforts showed what a crazy state I was in. My handwriting just wasn’t my own. No pressure was exerted on the pen. The writing was wavery, very small, and grew even smaller. My prose expression was nothing like my own, childish in fact. Thought or messages or bits of conversation popped to mind and I wrote them down in this weird script.

[... 14 paragraphs ...]

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