1 result for (book:tes1 AND session:13 AND stemmed:plane)
[... 14 paragraphs ...]
Something along the line of mental genes. (Jane dictates:) As mental genes are behind the physical genes so to speak, so mental enzymes are behind the physical stuff that you can examine on your plane. Chlorophyll is such a mental enzyme, and there are more which I shall describe to you at another time.
[... 9 paragraphs ...]
(Jane dictates:) Chlorophyll as I said is a mental enzyme, and is one of the moving forces in your plane. However, a variant of this exists in all other planes. It is a mental spark so to speak that sets everything into motion. (Pause.)
[... 4 paragraphs ...]
(Jane dictates:) Why do you find the phrase solidified feeling outlandish? You both already understand that your plane is really composed of solidified thought. When your scientists get through with all their high fiddle-faddle they too will discover that this is the case, though woe to any one of them that dares breathe such a concept yet.
[... 4 paragraphs ...]
You both know again what love and hate are, but as I told you before try to think in new ways. Love and hate for example are action. They are both action and they both imply action in physical bodies, and even as far as thoughts are concerned. In your plane action is the main word of importance.
[... 2 paragraphs ...]
The framework is only for convenience, as your walls are for your convenience as I mentioned earlier. The walls are not there as such, but you had better act as if they were or suffer a possible broken neck. I must still respect many like frameworks in my own plane, but my understanding of them renders them less opaque—and that is a poor word—all the time.
Intellectual truth alone will not make you free, though it is certainly a necessary preliminary. If this were the case your walls would fall away, since intellectually you understand their rather dubious nature. Since feeling is so often the cohesive with which mind builds, it is feeling itself which must be changed if you would find freedom from your particular plane of existence at your particular time. That is, to some extent a change in feeling will allow you to see variants. Since feeling is a cohesive, to change it completely would hardly be of any advantage since your world of present existence would fall apart.
[... 3 paragraphs ...]
You on your plane for example do not even have conscious memory of your own dream fragments. For that matter you can hardly remember one idea from one week to another on a conscious deliberate basis. It is simply impossible for the ego as you know it to maintain conscious dominance at this time. (Pause.)
[... 9 paragraphs ...]
(A curved line may be a complicated thought, a crooked or incomplete one—and a straight line may be a more simple, direct action or thought. It follows that there are more curved lines than straight ones, both in our art on this plane, in our lives on this plane, and in our habitat on this plane.
[... 3 paragraphs ...]
(“Abstract” art done in this manner would be an attempt to appeal, to generate an emotional response—in other words action on our plane—on a subconscious level. This would enable the emotional response so generated to radiate its warmth through all levels of our being. The appeal of “recognizable” art is more direct, and may penetrate the being in reverse direction, that is from the top down. Whether it is as profound I cannot say.)