“Seth material” search engine (Jane Roberts)

(To begin this evening’s session Jane and I sat at the board as usual, with our fingers touching the pointer. But we did not ask any opening questions. Until otherwise noted all answers came through the board.

Let the definition go for a moment however while I make this one point. I have said that our imaginary wires that seem to permeate our model universe are alive, and now if you will bear with me I will say that they are mental enzymes or solidified feelings, always of course in motion and yet permanent enough to form a more or less consistent framework. (Pause.) You could almost say that mental enzymes become the tentacles which form material, though I do not find that a very pleasant phrase.

I suggest that this session come to a conclusion. I hesitate to give you an excess of data on Monday when our next session is on a Wednesday. You need time to digest the material, and this material is difficult on the digestion. In any case you bear with me very well, and I can say the same for myself.

(A curved line may be a complicated thought, a crooked or incomplete one—and a straight line may be a more simple, direct action or thought. It follows that there are more curved lines than straight ones, both in our art on this plane, in our lives on this plane, and in our habitat on this plane.

(“Abstract” art done in this manner would be an attempt to appeal, to generate an emotional response—in other words action on our plane—on a subconscious level. This would enable the emotional response so generated to radiate its warmth through all levels of our being. The appeal of “recognizable” art is more direct, and may penetrate the being in reverse direction, that is from the top down. Whether it is as profound I cannot say.)