1 result for (book:tes1 AND session:13 AND stemmed:emot)

TES1 Session 13 January 6, 1964 5/58 (9%) enzymes chlorophyll solidified mental wires
– The Early Sessions: Book 1 of The Seth Material
– © 2012 Laurel Davies-Butts
– Session 13 January 6, 1964 9 PM Monday as Instructed

[... 25 paragraphs ...]

This has also much to do believe it or not with feeling, which also is a mover. You must try not to categorize things in old ways, but when you open your mind you will see a similarity between chlorophyll as a mental enzyme or mover, and emotion which is never still. Emotion solidified is something else again and perhaps is a framework of other worlds. (Pause.) And really Jane, you’re giving your subconscious an awful lot of credit. Let’s see credit where credit is due.

[... 1 paragraph ...]

Perhaps I may be able to make mental enzymes clearer afterwards since they have a basic part to play in the universe, at least as I know it so far. Let me say though in your own experience you are familiar with steam, water and ice. These are all manifestations of the same thing. So can a seemingly physical chlorophyll be also a part of a seemingly immaterial emotion or feeling, but in a different form; and of course directed into this form or caused to take various forms as response to certain laws, as of course ice will not exist of itself in the middle of your summertime. And if I am not to be compared to a symphony, Joseph, you must admit I do well with a figurative baton.

[... 3 paragraphs ...]

Joking aside, I will now ask you to imagine these wires as being composed of the solidified emotion of which I have just spoken. Surely you must know that even the words feeling or emotion are at best symbols to describe something else, and this something else comes extremely close to your mental enzymes.

[... 19 paragraphs ...]

(A drawing is solidified action. In the process of drawing I am solidifying emotion or feeling. There is distortion present, but still I put down something that my obvious senses can perceive. It is an attempt to get to the heart, the mind’s heart, of the matter.

[... 4 paragraphs ...]

(“Abstract” art done in this manner would be an attempt to appeal, to generate an emotional response—in other words action on our plane—on a subconscious level. This would enable the emotional response so generated to radiate its warmth through all levels of our being. The appeal of “recognizable” art is more direct, and may penetrate the being in reverse direction, that is from the top down. Whether it is as profound I cannot say.)

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