“Seth material” search engine (Jane Roberts)

(To begin this evening’s session Jane and I sat at the board as usual, with our fingers touching the pointer. But we did not ask any opening questions. Until otherwise noted all answers came through the board.

(Jane dictates:) Chlorophyll as I said is a mental enzyme, and is one of the moving forces in your plane. However, a variant of this exists in all other planes. It is a mental spark so to speak that sets everything into motion. (Pause.)

Perhaps I may be able to make mental enzymes clearer afterwards since they have a basic part to play in the universe, at least as I know it so far. Let me say though in your own experience you are familiar with steam, water and ice. These are all manifestations of the same thing. So can a seemingly physical chlorophyll be also a part of a seemingly immaterial emotion or feeling, but in a different form; and of course directed into this form or caused to take various forms as response to certain laws, as of course ice will not exist of itself in the middle of your summertime. And if I am not to be compared to a symphony, Joseph, you must admit I do well with a figurative baton.

(Jane dictates:) Why do you find the phrase solidified feeling outlandish? You both already understand that your plane is really composed of solidified thought. When your scientists get through with all their high fiddle-faddle they too will discover that this is the case, though woe to any one of them that dares breathe such a concept yet.

The framework is only for convenience, as your walls are for your convenience as I mentioned earlier. The walls are not there as such, but you had better act as if they were or suffer a possible broken neck. I must still respect many like frameworks in my own plane, but my understanding of them renders them less opaque—and that is a poor word—all the time.

(Jane dictates:) Your question leaves much to be desired. I am not certain if you refer to the subconscious memory of personality, the conscious memory of personality, or of the memory of an entity. The entity of course represents and is aware of the lives of all its personalities.

(“Abstract” art done in this manner would be an attempt to appeal, to generate an emotional response—in other words action on our plane—on a subconscious level. This would enable the emotional response so generated to radiate its warmth through all levels of our being. The appeal of “recognizable” art is more direct, and may penetrate the being in reverse direction, that is from the top down. Whether it is as profound I cannot say.)