1 result for (book:tes1 AND session:13 AND stemmed:action)

TES1 Session 13 January 6, 1964 7/58 (12%) enzymes chlorophyll solidified mental wires
– The Early Sessions: Book 1 of The Seth Material
– © 2012 Laurel Davies-Butts
– Session 13 January 6, 1964 9 PM Monday as Instructed

[... 33 paragraphs ...]

The mental enzymes within the enclosure are the elements that set off the action and—listen closely—are also the action itself. In other words the mental enzymes not only produce action in the material world but become the action. I will always call any materialization an action from here on in, since as you both know by now nothing is stationary. If you will read over the above three or four paragraphs you will come close to seeing where mental and physical become one.

You both know again what love and hate are, but as I told you before try to think in new ways. Love and hate for example are action. They are both action and they both imply action in physical bodies, and even as far as thoughts are concerned. In your plane action is the main word of importance.

[... 16 paragraphs ...]

(A drawing is solidified action. In the process of drawing I am solidifying emotion or feeling. There is distortion present, but still I put down something that my obvious senses can perceive. It is an attempt to get to the heart, the mind’s heart, of the matter.

(A curved line may be a complicated thought, a crooked or incomplete one—and a straight line may be a more simple, direct action or thought. It follows that there are more curved lines than straight ones, both in our art on this plane, in our lives on this plane, and in our habitat on this plane.

(A juncture represents a flowering of thought through action. Emphasis on a line would be thought translated into more positive action.

[... 1 paragraph ...]

(Each line is one thought, one recorded or frozen bit of action; representing or capable of representing many things. But a collection of lines, with the same or similar thoughts behind them, assembles itself into a recognizable whole.

(“Abstract” art done in this manner would be an attempt to appeal, to generate an emotional response—in other words action on our plane—on a subconscious level. This would enable the emotional response so generated to radiate its warmth through all levels of our being. The appeal of “recognizable” art is more direct, and may penetrate the being in reverse direction, that is from the top down. Whether it is as profound I cannot say.)

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