“Seth material” search engine (Jane Roberts)

(As usual, Jane had no idea of what tonight’s session would include. “Stuff for the Appendix, I hope,” she said. She was in an excellent mood, even a hilarious one. This quality also turned up in the session, in Seth’s funny, over-elaborate requests for me to use just the right punctuation and paragraphing.

Now: I bid you good evening, and our friend (Sue). I would have some interesting comments to make regarding the relationships between you, but we must be up and about with our Appendix, and so we will continue that. The other information will come in its own time.

(“At that point the speed was right and things ‘clicked’ somehow. Jane took off her glasses, as she always does. I could almost hear this action; then the Seth personality began to communicate. The Seth Two experience would be an even greater acceleration of this speed, reached at the point of the pyramid effect Jane describes.

I refer readers to Ruburt’s Introduction, in which he compares his own creative experiences as a writer to those he feels in our sessions. There are several points he did not understand, and so here I would like to clear them. (With a pause): New paragraph.

(Pause, one of many, at 10:30.) Ruburt has indeed always possessed this ability to a strong degree. For various reasons, reincarnationally speaking, he allowed himself to remain ignorant of the ways in which the ability could be used for the early portion of his life. During sessions, however, all the characteristics of the inner being are accelerated; the knowing, intuitional, creative abilities, working at a rate far beyond what you would call the norm.

The acceleration propels him into a state in which he can operate quite well, while going beyond all those normal psychological realities that he would personally call his own. (Pause.)

(His loud and rapid voice soon quieting, Seth explained to me that he would give a “fine demonstration of an acceleration” in a session in which we used our recorder. Sue could sit in on it, and hopefully I would experience the acceleration as clearly as she does. This interlude ended in a break at 11:10.