“Seth material” search engine (Jane Roberts)

Now: I bid you good evening, and our friend (Sue). I would have some interesting comments to make regarding the relationships between you, but we must be up and about with our Appendix, and so we will continue that. The other information will come in its own time.

(The first thing she wanted to know when she came out of trance was if the session contained new material. I had to tell her I didn’t know; I’d been too busy writing. Nor could I keep all of Seth’s book in mind, even though I was working with the manuscript just now. But then, Jane said, neither could she — and she’d just finished reading the whole thing over.

(Sue said the material had a great deal of meaning for her, and that she now realized that it hadn’t been an “accident” that she’d dropped in this evening. She had much more to say here, especially concerning her impressions of Jane, Seth, and the great energy involved in these sessions. It developed that Sue had begun to experience and formulate some impressions both before and during the session.

(“Even while I told Jane about this during break, I could feel this acceleration begin again, as Jane’s consciousness prepared to continue the communication. It was almost an inside-out process of going into trance, and as I watched Seth a few minutes later it seemed that Jane’s consciousness was rushing past her open eyes, beyond my comprehension of what speed is. I now must wonder how the communication ever gets back down to words.

Now: Our friend Sue’s observations came very close to an excellent description of Ruburt’s subjective feelings, as he told you during break.

In such a state he literally uses incredible power, in terms of energy, now; and the volume of the voice in many cases is an attempt to help him use some of this, and discharge it, while he learns how to use it, and until he is taught other purposes to which it can be put. The volume, of course, can also be used as an excellent demonstration of the vitality with which he is in touch.

Now you can take a break. Finish your notes.

Now: Many of the experiences that Ruburt has during our sessions he cannot recall afterward. As physical objects are symbols, existing as realities within certain frequencies, so there are other realities, of course, at different frequencies; but here objects are not the main symbols.

(Pause at 11:00. In a quietly amused manner now, Seth was giving frequent instructions regarding punctuation, etc. Jane’s eyes were closed often.)

Seen or viewed from my natural perspective, your objects do not exist. Your inner reality does, of course. Now Ruburt’s system physically undergoes some changes, although these are largely native to his constitution. (Humorously): He saw to that before this life began.

He uses nervous connections in a way that is unusual, and to his purpose. His pulse rate is normal. The acceleration begins, however, on a physical level, with the use of hormones and chemicals, and then leaps from there. Both halves of the brain spark, and from those connections, speaking physically now, the acceleration is initiated, and its effects on the body are cut off.

Now for our friend’s sake, I am speeding up the acceleration to see if she can perceive it. This often takes place during the dream state — and when it seems to you that you have briefly entered an astonishing new dimension, the dream state itself involves such an acceleration.

(As I wrote, I took a quick look at Sue, beside me. She sat very quietly, watching Jane. Jane’s eyes were open now, her pace faster, her voice somewhat louder.)

To some extent or another, each artistic creation, though to a lesser degree, involves the same principle. Now, I cannot keep the additional acceleration up, or the voice will go so quickly that our friend cannot keep to his notes —

Now, do not take notes….

Now: I am going to end the session shortly. It was, of course, no coincidence that our friend came here this evening. Besides giving you necessary information for the Appendix, some of the information given on objects and symbolism definitely applied to Sue.

Now I bid you a fond good evening.

(“Then when Jane came out of trance at last break, I felt as though a force had been released in front of me, so that if I wasn’t careful I could topple over. And the same thing now, after the session.”)