“Seth material” search engine (Jane Roberts)

New paragraph. (Very quietly): Once you understand the symbolic nature of physical reality, then you will no longer feel entrapped by it. You have formed the symbols, and therefore you can change them. You must learn, of course, what the various symbols mean in your own life, and how to translate their meaning.

New paragraph. (Again, a very quiet, smiling, and polite request. “I’m way ahead of you this time, Seth.”)

(To Sue, who sat beside me on the couch): I am pretty good on details too. New paragraph.

(The first thing she wanted to know when she came out of trance was if the session contained new material. I had to tell her I didn’t know; I’d been too busy writing. Nor could I keep all of Seth’s book in mind, even though I was working with the manuscript just now. But then, Jane said, neither could she — and she’d just finished reading the whole thing over.

I refer readers to Ruburt’s Introduction, in which he compares his own creative experiences as a writer to those he feels in our sessions. There are several points he did not understand, and so here I would like to clear them. (With a pause): New paragraph.

Now for our friend’s sake, I am speeding up the acceleration to see if she can perceive it. This often takes place during the dream state — and when it seems to you that you have briefly entered an astonishing new dimension, the dream state itself involves such an acceleration.