“Seth material” search engine (Jane Roberts)

This is a dimension of existence native to consciousness, however, when it is not physically oriented. Ruburt can, and will, learn to explore this dimension even further. Only his lack of confidence in the past held him back.

The acceleration propels him into a state in which he can operate quite well, while going beyond all those normal psychological realities that he would personally call his own. (Pause.)

In such a state he literally uses incredible power, in terms of energy, now; and the volume of the voice in many cases is an attempt to help him use some of this, and discharge it, while he learns how to use it, and until he is taught other purposes to which it can be put. The volume, of course, can also be used as an excellent demonstration of the vitality with which he is in touch.

And I will give Super-Jane a rest. (Pause, pointing to Sue): This one here is waiting for him to come back, so she can feel the difference.

As Ruburt said after reading the body of the book, the interior drama is the “real” one. Christ became the Crucified, Judas became the betrayer, though Christ was not crucified and Judas did not betray him. The reality, therefore, was in the myth. The reality was the myth. In such cases the interior events will always predominate, regardless of the physical facts, which are only symbols for those events.