“Seth material” search engine (Jane Roberts)

The whole nature and structure of physical life as you know it, is a symbolic statement made by groups of entities who choose to work with physical symbolism. So the body is a symbol for what you are, or what you think you are — and these may be two different things indeed.

He uses nervous connections in a way that is unusual, and to his purpose. His pulse rate is normal. The acceleration begins, however, on a physical level, with the use of hormones and chemicals, and then leaps from there. Both halves of the brain spark, and from those connections, speaking physically now, the acceleration is initiated, and its effects on the body are cut off.

As Ruburt said after reading the body of the book, the interior drama is the “real” one. Christ became the Crucified, Judas became the betrayer, though Christ was not crucified and Judas did not betray him. The reality, therefore, was in the myth. The reality was the myth. In such cases the interior events will always predominate, regardless of the physical facts, which are only symbols for those events.

(“Before break at 11:10,” Sue wrote, “when Seth told me that he was speeding up the acceleration to see if I could perceive it, I had the definite feeling of greater speed and a visual change in Jane’s body. It seemed to become smaller, as though I were looking at it through the wrong end of binoculars. This was again connected with motion, as though the physical frequency was also changed, and Jane’s body was rushing past me, even while staying in the same place.