1 result for (book:ss AND session:584 AND stemmed:session)

SS Part Two: Chapter 20: Session 584, May 3, 1971 7/27 (26%) mediumship forty rapport reluctance sold
– Seth Speaks: The Eternal Validity of the Soul
– © 2012 Laurel Davies-Butts
– Part Two
– Chapter 20: Questions and Answers
– Session 584, May 3, 1971, 9:35 P.M. Monday

SESSION 584, MAY 3, 1971,
9:35 P.M. MONDAY

[... 4 paragraphs ...]

(We had been talking about those subjects just before the session, although I hadn’t planned to refer to them tonight. “Number fifty-eight: Are there any more Laws of the Inner Universe, other than those you gave in the 50th session for May 4, 1964?”)

[... 1 paragraph ...]

(I asked the question because I thought Seth’s answer to number forty-six, in the last session, touched upon one of those propositions: “The Law of Infinite Changeability and Transmutation.” In view of his reply now, though, I didn’t pursue the matter further.

[... 5 paragraphs ...]

(To me): Now you early foresaw your part in these sessions, and our work. One of the paintings you did many years ago clearly foreshadowed the development of your psychic endeavors. This was the one you sold, of the man that hung for some time in the position in which my portrait now hangs. That was a portrait of Joseph; in other words of your own inner identity as you intuitively perceived it at the time. You were not consciously aware of the connection, but you were consciously aware of the painting’s strong impact.

[... 2 paragraphs ...]

Had you remained apart, the sessions would not have begun. You have been connected with the same entity, though you have sprung apart from it, but the inner relationship adds to the power available. You help steady the circuit, so to speak. You also generated initial energy and impetus to help Ruburt’s own.

[... 7 paragraphs ...]

You can take your break, and then we will resume the session.

(10:09. Jane’s trance had been deep, her delivery fast. She said she could see the 1954 painting very clearly while Seth talked about it, including its wide, old-fashioned gold frame. At first she had forgotten what the frame looked like, she told me, but now correctly described it. Naturally, the painting was sold before we had any conscious awareness of its import. This would be not only before the sessions began, but before we even suspected such possibilities. The balance of the session is deleted from the record. End at 10:28 P.M.)

[... 1 paragraph ...]

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