1 result for (book:ss AND session:582 AND stemmed:was)
8/55 (15%)
evolved
portraits
Mrs
Speakers
evolution
[... 8 paragraphs ...]
California was in his mind strongly, also. Thirty-six. (Pause.) He had one job, in what seems to be a factory location, in a rather dark environment, with rows of what I assume to be machinery and large windows, treated so that the sunlight did not shine through brightly.
Either this or the place was half below ground level. The name “George” connected with him. A friend perhaps. Also he sent a telegram I believe, either to someone, or he will send one to his mother.
[... 1 paragraph ...]
(The above data was delivered at a crisp pace. We have no way of knowing how long Seth’s reply to a query like Mrs. R’s will be. Whatever the length — one, five, or ten pages — we send a copy of it to the writer as soon as I get the session typed up. We ask for a reply, to see if it’s possible to check the material. In this case, we didn’t hear from Mrs. R.)
[... 24 paragraphs ...]
You have indeed. One was a painting purchased by Carl and Sue Watkins (which, half jokingly, we had called Moses); one, the portrait of me (pause); and one that you have not completed — that the Dean (Seth’s friendly title for Tom M., one of the members of ESP class) asked about recently, of a woman. And your blue man. (Pause.) That is your answer.
[... 2 paragraphs ...]
(After the sessions began I started a series of portraits of people I don’t “know” consciously. At first I understood little about the possible sources for their inspiration; I simply put my urge to paint them to work. Ideas for the portraits “come” to me spontaneously when I am mentally occupied with something else. I am always surprised. Sometimes I see an outright vision, objectified quite clearly and in full color. The vision is either of the finished painting, or of the individual who is to be portrayed. On several occasions I have “known” the subject was dead. Few of the paintings are of Speakers, obviously, and in no case did I realize I was working with such a personality.
(I recently finished the blue man that Seth refers to. I painted a male in modern garb, but in reality, according to an amused Seth, the subject was a female clairvoyant who lived in Constantinople in the fourteenth century; unconscious distortions in my own perceptions led me to the male figure. Seth has given her the name Ianodiala. The oil is very successful, and is done in blue and green.
[... 1 paragraph ...]
(“Do you want to deal now with the question about the Dead Sea Scrolls and Yahoshua?” This was in reference to a letter Jane had received on April 12, having to do with Seth’s third-Christ data in The Seth Material.)
[... 10 paragraphs ...]
(10:35. Of book dictation, that is. This was actually a break. Seth finished the session with several pages of material dealing with other matters. End at 11:16 P.M.)
