his

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SS Part Two: Chapter 20: Session 580, April 12, 1971 5/31 (16%) unending inhumanity suffering portray misdirection
– Seth Speaks: The Eternal Validity of the Soul
– © 2012 Laurel Davies-Butts
– Part Two
– Chapter 20: Questions and Answers
– Session 580, April 12, 1971, 9:13 P.M. Monday

[... 12 paragraphs ...]

(9:25.) Your idea of development and growth, again, implies a one-line march toward perfection, so it would be difficult for you to imagine the kind of order that pervades. Ultimately a completed or finished God, or All That Is, would end up smothering His creation. For perfection presupposes that point beyond which development is impossible, and creativity at an end.

[... 4 paragraphs ...]

(Long pause at 9:37.) These powers and abilities will be used by these creations in various ways. In your own case mankind is forming his reality through the use of these gifts. He is learning to use them efficiently and well. He uses them to exist. They form the basis of his reality. Within that framework, individually and as a whole, mankind may seem to make errors, to bring ill health, death or desolation upon himself, but he is still using those abilities to create a world.

Through observing his creations he learns how to use these abilities better. He checks on his inner progress by seeing the physical materialization of his work. The work, the reality, is still a creative achievement, although it may portray a tragedy or unspeakable terror in your terms at any given time.

[... 1 paragraph ...]

(9:43.) I am indeed. A great painting of a battle scene, for example, may show the ability of the artist as he projects in all its appalling drama the inhuman and yet all-too-human conditions of war. The artist is using his abilities. In the same way, man is using his abilities, and they are apparent when he creates a real war.

The artist who paints such a scene may do so for several reasons: because he hopes through portraying such inhumanity to awaken people to its consequences, to make them quail and change their ways; because he is himself in such a state of disease and turmoil that he directs his abilities in that particular manner; or because he is fascinated with the problem of destruction and creativity, and of using creativity to portray destruction.

[... 8 paragraphs ...]

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