“Seth material” search engine (Jane Roberts)

A-5 opens up a dimension in which the vital consciousness of any personality can at least theoretically be contacted. This involves communicating not only with past personalities in your terms, but future ones. It is a level of consciousness very seldom reached. It is not, for example, the layer used by most mediums. It is a meeting ground in which personalities from any time or place or probable system can communicate with each other in clear terms understood by all.

(9:35.) At this level, messages literally flash through the centuries from one great man or woman to another. The future speaks to the past. The great artists have always been able to communicate at this level and while living literally operated at this level of consciousness a good deal of the time. Only the most exterior portions of their personalities bowed to the dictates of historical period.

(9:47. Jane was aware that her pace had been quite slow most of the time. Resume at a faster rate at 10:05.)

You may have several quite valid experiences in level four for example, without any awareness of the first three. The stages are there for those who know what they are and how to use them. Many quite spontaneously find their own way. The other adjacent levels on the horizontal line, now, involve you in various alternate realities, each one a greater distance from your own. Many of these involve systems in which life and death as you know it does not occur, where time is felt as weight; systems in which the root assumptions are so different from your own that you would only accept any experiences as fantasy.

(“I hope you’ll cover for your book the question Jane and I were discussing at the supper table this evening, about what you actually see when you’re speaking to a group of people — focusing upon each of us as individuals in this time and place.”)

(“Now [humorously]: no one asked me what it was like when I go into a trance. To go into a trance is simply to focus intensely in a highly specific area of reality. Therefore, I throw or project a part of what I am here because I am able to utilize greater areas of my personality than those with which you are now acquainted in yourselves. I can do this in a conscious manner, and yet still, as I have mentioned, when I am here I find a difficulty in looking at you and relating to the selves that you think you are within your given moment of time; for I see the composites. So it takes some training on my part to pinpoint you in the time and space with which you are acquainted.

(“But I am aware of a Lady of Venice, you see, in several different manifestations in various existences, all occurring at once. I must remember that she is not aware of these, and when I speak to her I must use a designation that will make sense to her at this particular time.

(“To some extent, I serve as a communicator from one level of your selves to other levels of your selves, for I remind you of what you are. You have been much given to thoughts of death this evening. Now, I have been a very lively corpse many times; but then, so have you all. The inner portions of your selves know this well. You have walked away from more graves than you can remember — and will indeed, many of you, walk away from more. Why, then, do you worry about justifying your own existence in this hour?”