“Seth material” search engine (Jane Roberts)

(Pause at 9:42.) Now: Physically, smell, sight, and sound are combined together to give you your main sense data and compose your physical senses. At other levels, however, these are separated. Odors therefore have a visual reality, and, as you know, visual data can also be perceived in terms of other sense perceptions.

The symbols can come together or fly apart, can be perceived separately or as a unity. As each event has its own symbol for you, so you have your characteristic way of combining these. These symbols can be translated and perceived in many terms; as a series of notes for example, as a combination of senses, as a series of images. At various stages of consciousness you will perceive the symbols in different terms. The multidimensional symbol in its entirety, then, has a reality in other states of consciousness, but also at other levels of reality entirely.

(9:45.) You operate as if your thoughts were secret, though you should know by now that they are not. Not only are your thoughts apparent through telepathic communications, for example, but without your conscious awareness they also form what you may call pseudo-images “beneath” the range of physical matter as you normally perceive it in some cases, or “above” this same range.

It is, therefore, as if your thoughts appear within other realities as objects — alive and vital in themselves, growing into other systems as flowers or trees grow up seemingly from nothing within physical reality. These can then be used as the raw material, so to speak, in certain other systems. They are the given “natural data,” the raw material of creativity in the realities that you help seed but do not perceive.

In this manner of speaking, your thoughts then follow laws. Their behavior follows laws, and their activities, that you do not understand, though you call your thoughts your own. They are then manipulated, independently of you, by other kinds of consciousness as ever-changing natural phenomena. The native consciousness within such systems is not aware of the origin of this phenomena, nor of your own reality. They take the evidence that appears to their senses as reality, as most of you do. It would not occur to them that this phenomenon originated outside of their own system.

If I were to make the same statement for example to any of my readers, I would be accused of saying that physical reality was composed of the discards of the universe.

I am not saying that, nor implying it in the case just mentioned. In your system you have a direct hand in the formation of physical reality. Your natural given data is the result of individual, mass, and collective thoughts, feelings, and emotions, materialized. Your system in this respect is more creative than the systems just mentioned. On the other hand, within these other systems there is a strong innovative group consciousness developing, in which identity is retained but greater inner play allowed between individuals, a large creative interchange of symbol-pools, a drawing upon mental and psychic symbols with greater facility. Because of this, these individuals recognize more clearly the connection between creative images and given sense data. They purposely alter and change their given sense data, and experiment with it.

(Pause at 10:00.) All of this involves a working with symbols in a most intimate manner. At certain levels of your personality you are aware of all the different ways in which symbols are used, not only in your system but in others. As mentioned earlier, no system of reality is closed. Your thoughts and images and feelings therefore alter the given sense data in some other systems.

It is both the creative and aggressive aspects of consciousness that allow it to use symbols, to move through various levels of experience, and the aggressive nature of thought that so propels it, despite your knowledge, into realities that you do not understand.

(10:32.) Pauses then occur. To put it as simply as possible, there is an almost inconceivable moment in which a no-reality occurs, in which a symbol is caught between motion and no motion, a time of uncertainty. This is of course translated in many ways, and reflected. In such periods, certain symbols can be lost to all intents and purposes, dropping out of an individual’s experience, leaving gaps of inertia.

These gaps exist quite literally in many systems. You encounter them on many levels. You may find yourself experiencing a state of consciousness, for example, in which nothing seems to happen, and no psychological landscape or recognizable symbols occur. These exist not only psychologically or psychically, but as blank areas in terms of space. The spaces may be filled finally with new symbols. If you are perceptive enough, you can sometimes catch yourselves encountering such states of reality in which nothing appears and no signs of any consciousness outside of your own is apparent.

Such blank spots can be seeded with new symbols, and are often used as channels through which new creative ideas and inventions are inserted. These gaps are recognized by others, therefore, and viewed as dark spaces. They also represent areas of no resistance for those mind-travelers who are probing inner realities. They represent uncluttered areas, but also open channels, inactive in themselves but passively waiting. Now some symbols also wait in such a passive manner to be activated.