“Seth material” search engine (Jane Roberts)

He is still dealing with physically oriented symbols, however. Now since we are using this discussion as a case in point we will continue to follow it even further. He may form images of dream cities or people that are of a very joyful nature, translate the emotion itself into whatever symbols are pertinent to him. An exuberance may be translated into images of playing animals, flying people, or animals or landscapes of great beauty. Again, the logical connections will be lacking, but the entire episode will be connected by this emotion.

Beyond this are states in which the symbols themselves begin to fade away, become indistinct, distant. Here you begin to draw into regions of consciousness in which symbols become less and less necessary, and it is a largely unpopulated area indeed. Representations blink off and on, and finally disappear. Consciousness is less and less physically oriented. In this stage of consciousness the soul finds itself alone with its own feelings, stripped of symbolism and representations, and begins to perceive the gigantic reality of its own knowing.

At one point it will vanish with the other symbols. Now there was a time, speaking in your terms, before the making of symbols; a time so divorced from your idea of reality that only in the most protected areas of sleep does any memory of it ever return. It seems to you that without symbols there would be nonbeing, but this is a natural enough deduction since you are so symbol-oriented.

The nature of the symbol, therefore, can serve as an indication not only as to your environment but your state of consciousness within it. In normal dreaming within the context of an ordinary dream drama, the objects seem permanent enough to you. You take them for granted. You are still physically oriented. You project upon dream images the symbolism of your waking hours.