him

2 results for (book:ss AND session:571 AND stemmed:him)

SS Part Two: Chapter 17: Session 571, March 3, 1971 2/9 (22%) quiz brisk fluctuations chapter was
– Seth Speaks: The Eternal Validity of the Soul
– © 2012 Laurel Davies-Butts
– Part Two
– Chapter 17: Probabilities, the Nature of Good and Evil, and Religious Symbolism
– Session 571, March 3, 1971, 9:17 P.M. Wednesday

[... 6 paragraphs ...]

(Seth had told us last time that he was near the end of the chapter, but we hadn’t realized of course that he was to finish it with a sentence or two in the next session. Nor did we know why he chose this method. It was as though the break between sessions didn’t exist for him.

(I meant to quiz him about this tonight, but regretfully never did so. Since Jane doesn’t look at the book, she is unable to remind me of such points unless I happen to discuss them with her, and I forgot to do that, too.)

SS Part Two: Chapter 18: Session 571, March 3, 1971 2/51 (4%) symbols stages joy reverie signposts
– Seth Speaks: The Eternal Validity of the Soul
– © 2012 Laurel Davies-Butts
– Part Two
– Chapter 18: Various Stages of Consciousness, Symbolism, and Multiple Focus
– Session 571, March 3, 1971, 9:17 P.M. Wednesday

[... 10 paragraphs ...]

The joy stretches out, so to speak, into the future, sheds also its light into the past, and may cover greater areas of expansion than could be shown in physical terms at that moment. Now imagine that our individual from his reverie falls either into a trance state or into a deep sleep. (Long pause.) He may see images that are highly symbolic to him of joy or exuberance. Logically there may be little connection between them, but intuitively the connections are clear. He now enters into his mental experiences far more deeply than in the reverie state, and may have a series of dream episodes in which he is able to express his joy and share it with others.

He is still dealing with physically oriented symbols, however. Now since we are using this discussion as a case in point we will continue to follow it even further. He may form images of dream cities or people that are of a very joyful nature, translate the emotion itself into whatever symbols are pertinent to him. An exuberance may be translated into images of playing animals, flying people, or animals or landscapes of great beauty. Again, the logical connections will be lacking, but the entire episode will be connected by this emotion.

[... 38 paragraphs ...]

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