“Seth material” search engine (Jane Roberts)

(Seth had told us last time that he was near the end of the chapter, but we hadn’t realized of course that he was to finish it with a sentence or two in the next session. Nor did we know why he chose this method. It was as though the break between sessions didn’t exist for him.

Let us take a particular feeling and follow it through as it might be expressed at various levels of consciousness. (Pause.) Begin with a feeling of joy. In normal consciousness, the immediate environment will be perceived in a far different manner than it would be, say, if an individual were in a state of depression. The feeling of joy changes the objects themselves, in that the perceiver sees them in a far brighter light. He creates the objects far more vividly and with greater clarity. In feedback fashion, the environment then seems to reinforce his joy.

(9:41.) What he sees, however, is still physical, the objects of the material world. Pretend now that he begins to daydream and falls into a reverie. Into his inner mind come pictures or symbols of material objects, people or events, from perhaps the past as well as present and future imaginings, the joy now being expressed with greater freedom mentally, but with symbols.

The joy stretches out, so to speak, into the future, sheds also its light into the past, and may cover greater areas of expansion than could be shown in physical terms at that moment. Now imagine that our individual from his reverie falls either into a trance state or into a deep sleep. (Long pause.) He may see images that are highly symbolic to him of joy or exuberance. Logically there may be little connection between them, but intuitively the connections are clear. He now enters into his mental experiences far more deeply than in the reverie state, and may have a series of dream episodes in which he is able to express his joy and share it with others.

He is still dealing with physically oriented symbols, however. Now since we are using this discussion as a case in point we will continue to follow it even further. He may form images of dream cities or people that are of a very joyful nature, translate the emotion itself into whatever symbols are pertinent to him. An exuberance may be translated into images of playing animals, flying people, or animals or landscapes of great beauty. Again, the logical connections will be lacking, but the entire episode will be connected by this emotion.

Obviously you cannot become aware of that stage of consciousness now, but you can keep track of the way symbols appear to you in both waking life and the dream state, and learn to connect them with the feelings they represent. You will learn that certain symbols will appear personally to you at various stages of consciousness, and these can serve as points of recognition in your own explorations. When Ruburt is about to leave his body from the dream state for example, he will often find himself in a strange house or apartment that offers opportunities for exploration.

The houses or apartments will always be different, and yet the symbol is always a signpost that he has reached a particular point of consciousness, and is ready to enter another state of consciousness. Each of you will have certain symbols that serve the same kind of purpose, highly individual to you. Unless you make an effort at self-exploration, however, these symbolic guideposts will make no conscious sense.