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SS Part Two: Chapter 15: Session 563, December 9, 1970 21/40 (52%) outposts caves Pyrenees Lumanian drawings
– Seth Speaks: The Eternal Validity of the Soul
– © 2012 Laurel Davies-Butts
– Part Two
– Chapter 15: Reincarnational Civilizations, Probabilities, and More on the Multidimensional God
– Session 563, December 9, 1970, 9:15 P.M. Wednesday

Displaying only most relevant fragments—original results reproduced too much of the copyrighted work.

¶13

Communication, in fact, was one of their strongest points, and it was developed to such a high degree simply because they feared violence so deeply and were constantly on the alert. [...] Contact between children and parents was at a very high level, and children were acutely uncomfortable if out of the sight of their parents for any amount of time.

¶26

[...] In one way this was a highly stylized art, and yet it allowed for both great preciseness of expression in terms of detail, and great freedom in terms of scope. It was obviously highly compressed. This technique was later discovered by the third civilization, and some of the remnants of drawings done in imitation of it still exist. [...]

¶33

[...] For this reason there was an easy distinction between what was called inner sight and outer sight, and it was quite natural for them to close their eyes when seated in conversation in order to communicate more clearly, enjoying the ever-changing and immediate inner images that accompanied any verbal interchange.

¶34

(10:41.) They learned quickly, and education was an exciting process, because this multisensuous facility automatically impressed information upon them not simply through one sense channel at a time but utilizing many simultaneously. For all this, however, and the immediacy of their perceptions, there was an inherent weakness. [...] Energy was blocked in these areas so that they actually lacked a forceful quality or sense of power.

¶1

(Again, the session was held in the studio. [...] Not that she was particularly tired, or bothered in any other way….)

¶21

This has to do with communication as it was applied to their drawings and paintings, and to the highly discriminating channels that their creative communications could take. In many ways their art was highly superior to your own, and not as isolated. [...]

¶32

[...] With these people, however, sounds automatically and instantly built up an amazingly vivid image that was not three-dimensional by any means, being internalized, but was far more vivid than your usual mental images indeed.

¶39

[...] The material was of a type, Jane added, that was difficult to get while she contended with such distractions.)

¶5

While the civilization of the Lumanians was highly concentrated, in that they made no attempt to conquer others or to spread out to any great extent in area, they did set out, over the centuries, outposts from which they could emerge and keep track of the other native peoples.

¶6

[...] Since these were an aesthetic people, the walls were lined with paintings and drawings, and sculpture was also displayed along these inner byways.

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