“Seth material” search engine (Jane Roberts)

(9:29.) This is difficult to explain, but they could mentally pitch a thought along certain frequencies — a highly distinguished art — and then translate the thought at a given destination in any of a number of ways, into form or color, for example, or even into a certain type of image. Their language was extremely discriminating in ways that you could not understand, simply because gradations in pitch, frequency, and spacing were so precise and complicated.

An observer could automatically translate the sounds before he bothered with the visual image, if he wanted to. In what would appear to be a drawing of an animal, then, the entire history or background of the animal might also be given. Curves, angles, lines all represented, beside their obvious objective function in a drawing, a highly complicated series of variations in pitch, tone and value; or if you prefer, invisible words.

Now: Their communicative abilities, and therefore creative abilities, were more vital, alive, and responsive than yours are. When you hear a word you may be aware of a corresponding image in your mind. With these people, however, sounds automatically and instantly built up an amazingly vivid image that was not three-dimensional by any means, being internalized, but was far more vivid than your usual mental images indeed.

Certain sounds, again, were utilized to indicate amazing distinctions in terms of size, shape, direction, and duration both in space and time. Sounds automatically produced brilliant images, in other words. For this reason there was an easy distinction between what was called inner sight and outer sight, and it was quite natural for them to close their eyes when seated in conversation in order to communicate more clearly, enjoying the ever-changing and immediate inner images that accompanied any verbal interchange.