“Seth material” search engine (Jane Roberts)

(9:29.) This is difficult to explain, but they could mentally pitch a thought along certain frequencies — a highly distinguished art — and then translate the thought at a given destination in any of a number of ways, into form or color, for example, or even into a certain type of image. Their language was extremely discriminating in ways that you could not understand, simply because gradations in pitch, frequency, and spacing were so precise and complicated.

This has to do with communication as it was applied to their drawings and paintings, and to the highly discriminating channels that their creative communications could take. In many ways their art was highly superior to your own, and not as isolated. The various art forms, for example, were connected in a fashion that is nearly unknown to you, and because you are so unfamiliar with the concept, it will be rather difficult to explain.

I should perhaps mention here that some of the caves, particularly in certain areas of Spain and the Pyrenees, and some earlier ones in Africa, were artificial constructions. Now these people moved mass with sound, and, as I told you earlier, actually conveyed matter through a high mastery of sound. This is how their tunnels were originally formed, and it was also the method used to form some of the caves in areas where originally there were few. Often drawings on the cave walls were highly stylized information, almost like signs in your terms in front of public buildings, portraying the type of animals and beings in a given area.