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SS Part Two: Chapter 15: Session 563, December 9, 1970 6/40 (15%) outposts caves Pyrenees Lumanian drawings
– Seth Speaks: The Eternal Validity of the Soul
– © 2012 Laurel Davies-Butts
– Part Two
– Chapter 15: Reincarnational Civilizations, Probabilities, and More on the Multidimensional God
– Session 563, December 9, 1970, 9:15 P.M. Wednesday

[... 7 paragraphs ...]

(9:21.) These outposts were situated in many scattered areas, but there were a fairly large number of them in what is now Spain and the Pyrenees. There were several reasons for this, one having to do with the existence of rather giant-sized men in the mountain areas. Because of the timid nature of these [Lumanian] people, they did not enjoy outpost existence, and only the bravest and most confident of them were given such an assignment, which was temporary to begin with.

[... 8 paragraphs ...]

(9:40.) This was, as I told you, the second, and perhaps most interesting of the three civilizations. The first followed generally your own line of development and faced many of the problems that you now do. They were largely situated in what you call Asia Minor, but they were also expansive and traveled outward to other areas. These are the people I mentioned earlier, who finally went on to other planets within other galaxies, and from whom the people of the Lumanian civilization came.

[... 3 paragraphs ...]

This has to do with communication as it was applied to their drawings and paintings, and to the highly discriminating channels that their creative communications could take. In many ways their art was highly superior to your own, and not as isolated. The various art forms, for example, were connected in a fashion that is nearly unknown to you, and because you are so unfamiliar with the concept, it will be rather difficult to explain.

[... 2 paragraphs ...]

(10:07.) Distances between lines were translated as sound pauses, and sometimes also as distances in time. Color was used in terms of language in communication, in drawings and paintings; representing somewhat as your own color does, emotional gradations. The color however, its value of intensity, served to further refine and define — for example, either by reinforcing the message already given by the objective value of the lines, angles, and curves, and by the invisible word messages already explained; or by modifying these in any given number of ways. Do you follow me here?

[... 4 paragraphs ...]

Do you want a break?

[... 5 paragraphs ...]

I do not necessarily mean physical power however, but so much of their energy was used to avoid any meeting with violence that they were not able to channel ordinary aggressive feelings, for example, into other areas.

[... 4 paragraphs ...]

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