“Seth material” search engine (Jane Roberts)

While the civilization of the Lumanians was highly concentrated, in that they made no attempt to conquer others or to spread out to any great extent in area, they did set out, over the centuries, outposts from which they could emerge and keep track of the other native peoples.

(A note, added later: Seth gives no dates for the Lumanian civilization. It’s interesting to note however that in late July, 1971, about eight months after this session, newspapers carried the story — with photographs — of the unearthing of a “massive” subhuman skull in a cave in the French Pyrenees Mountains, very close to the Spanish border.

(9:34.) For these reasons, those individuals who ran the outposts felt themselves to be in a very uncomfortable situation. They were limited in numbers and largely cut off from the main areas of their own civilization. They developed, therefore, an even greater telepathic activity, and a rapport with the earth above their head, so that the slightest tremor or footstep and the most minute movements above that were not usual, were instantly noted.

(9:40.) This was, as I told you, the second, and perhaps most interesting of the three civilizations. The first followed generally your own line of development and faced many of the problems that you now do. They were largely situated in what you call Asia Minor, but they were also expansive and traveled outward to other areas. These are the people I mentioned earlier, who finally went on to other planets within other galaxies, and from whom the people of the Lumanian civilization came.

Now: Before we discuss the third civilization, there are a few more points I would like to make about the second one.

The size of such drawings also spoke its own message. In one way this was a highly stylized art, and yet it allowed for both great preciseness of expression in terms of detail, and great freedom in terms of scope. It was obviously highly compressed. This technique was later discovered by the third civilization, and some of the remnants of drawings done in imitation of it still exist. But the keys to interpretation have been completely lost, so all you could see would be a drawing devoid of the multisensual elements that gave it such great variety. It exists, but you could not bring it alive.