“Seth material” search engine (Jane Roberts)

(9:29.) This is difficult to explain, but they could mentally pitch a thought along certain frequencies — a highly distinguished art — and then translate the thought at a given destination in any of a number of ways, into form or color, for example, or even into a certain type of image. Their language was extremely discriminating in ways that you could not understand, simply because gradations in pitch, frequency, and spacing were so precise and complicated.

This has to do with communication as it was applied to their drawings and paintings, and to the highly discriminating channels that their creative communications could take. In many ways their art was highly superior to your own, and not as isolated. The various art forms, for example, were connected in a fashion that is nearly unknown to you, and because you are so unfamiliar with the concept, it will be rather difficult to explain.

The size of such drawings also spoke its own message. In one way this was a highly stylized art, and yet it allowed for both great preciseness of expression in terms of detail, and great freedom in terms of scope. It was obviously highly compressed. This technique was later discovered by the third civilization, and some of the remnants of drawings done in imitation of it still exist. But the keys to interpretation have been completely lost, so all you could see would be a drawing devoid of the multisensual elements that gave it such great variety. It exists, but you could not bring it alive.