1 result for (book:ss AND session:541 AND stemmed:session)
SESSION 541, JULY 13, 1970,
8:40 P.M. MONDAY
(No session was held for July 8th, as scheduled. Tam Mossman, Jane’s editor at Prentice Hall, called this morning to say that the first copies of her book, The Seth Material, have arrived at Prentice Hall from the printer. He’s mailing a book to Jane today.
(This afternoon, I gave myself suggestions that I have a projection experience when I lay down, but I did not succeed. Then, shortly after supper, I had a visual experience like that described in the notes for the 534th session, in Chapter Eight. I told Jane about it as it progressed. Once again she was concerned, but as usual I felt no alarm. The experience lasted for perhaps half an hour.
[... 1 paragraph ...]
(Maybe, I thought, the experience was a delayed reaction to the projection suggestions. Just before the session I asked my pendulum a few questions — keeping in mind that I wasn’t so sure this technique should be used to explore other than physically oriented data. Usually I get excellent results with the pendulum; I learned now that the visual-interference effects had been caused by my unsuccessful attempts to perceive a thought-form sent out by a survival personality. This backed up the reasons given by Seth, then, for the eye phenomenon. Usually we use the pendulum to reach information that is just below normal waking consciousness.
[... 1 paragraph ...]
(With this explanation, I didn’t feel it necessary to ask Seth about the experience. I did hope he would comment on it, but he did not…. Jane and I were both ready for the session ahead of time, for a change.)
[... 15 paragraphs ...]
(Not long after these sessions began, several years ago, Seth told Jane and me that the three of us had experienced lives in Denmark in the 1600’s. Ever since then I’ve thought my interest in the art of Western Europe for that same period, embracing the work of Rembrandt and Vermeer, Van Dyke, and Rubens, et al., more than coincidental. I mentioned to Jane now my curiosity as to whether my artistic career had any connection with my Denmark life. I wanted to know my life span then, also.
[... 45 paragraphs ...]
(“Yes.” Frank Withers was the original name given to us when the sessions began in late 1963.)
[... 7 paragraphs ...]
(This in turn led me to wonder if tonight’s session contradicted one held several years ago, in which Seth stated that I had lived to an old age in the Denmark life. Jane had been my son. Actually there was no contradiction — merely a misinterpretation on our parts. Seth goes into more detail on this in the 595th session, in the Appendix.
[... 1 paragraph ...]