“Seth material” search engine (Jane Roberts)

(By the time I wrote the last sentence I was aware — again, without being upset — that it was taking me just a little longer than usual to come up with my abbreviations or symbols for such common words as “does,” “as,” and “even.” This action of course should have been automatic. But visual interference was now lifting considerably.

(But Seth wasn’t through work on his book yet. The following material shows the relationship between my vision effects and the events in the session itself. It’s very interesting that I would choose tonight, of all nights, to try for visual data, although in recent days I’ve been inquiring mentally about subjects for my next oil painting. I haven’t said anything about this to Jane.)

The blurred areas represented a confusion of vibrations. You could not get the material visually in physical terms, though you were trying to, but you could not receive it as internal vision either at that point. Instead you ended up almost with a displacement. There was always a sense of motion in the background that was interpreted visually as an unsteadiness, a massing of blurs.