“Seth material” search engine (Jane Roberts)

(1. As we sat waiting for the session to begin, Jane told me that the face of Joseph, in my oil painting of Ruburt and Joseph,^* smiled down at her from its spot on the living room wall. When Jane became aware of the smiling effect she looked away from the painting, then quickly back at it. The effect was still there, she said; it lasted for perhaps two minutes, until just before session time at 9.

(Jane faced the painting as she sat in her Kennedy rocker, but my back was to it because of my position on the couch. During the several times I turned to look at it I noticed nothing out of the ordinary. Jane told me that Joseph, representing my own entity, smiled broadly at her in a way the painting actually doesn’t. The expression in the eyes changed first, the smile spreading from them down to the mouth. The forehead didn’t move. It was as though the painting became abruptly alive, although the painted head of Ruburt did not change.

Now you acquiesced in our experiment earlier this evening, when Ruburt and you spoke at the [supper] table. Ruburt was telepathically aware of the arrangement, though not at a conscious level. The smiling portrait that Jane saw was your work in a way. Ruburt was aware of the arrangement for the demonstration, but was also somewhat alarmed at the particular way you would choose to interpret the experience. The smiling portrait was to reassure her — Jane now rather than Ruburt. You sent the reassurance. Ruburt picked it up from Joseph. Do you follow me?