1 result for (book:ss AND session:531 AND stemmed:creativ)

SS Part One: Chapter 7: Session 531, May 25, 1970 6/39 (15%) streams blinders process river attention
– Seth Speaks: The Eternal Validity of the Soul
– © 2012 Laurel Davies-Butts
– Part One
– Chapter 7: The Potentials of the Soul
– Session 531, May 25, 1970, 9:22 P.M. Monday

[... 10 paragraphs ...]

Any creative work involves you in a cooperative process in which you learn to dip into these other streams of consciousness, and come up with a perception that has far more dimensions than one arising from the one narrow, usual stream of consciousness that you know. Great creativity is then multidimensional for this reason. Its origin is not from one reality, but from many, and it is tinged with the multiplicity of that origin.

(9:49.) Great creativity always seems greater than its pure physical dimension and reality. By contrast with the so-called usual, it appears almost as an intrusion. It takes the breath away. Such creativity automatically reminds each man of his own multidimensional reality. The words “know thyself,” therefore, mean far more than most people ever suppose.

[... 11 paragraphs ...]

(10:26.) At a very simple level, for example, your consciousness leaves your body often in the sleep state. You communicate with people in other levels of reality that you have known, but far beyond this, you creatively maintain and revitalize your physical image. You process daily experience, project it into what you think of as the future, choose from an infinity of probable events those you will make physical, and begin the mental and psychic processes that will bring them into the world of substance.

[... 10 paragraphs ...]

(Following his pattern of late, Seth wound up the session with a couple of pages of other material. This time the data concerned the reasons behind Jane’s years of training in writing poetry and fiction. It was very astute, I thought. Seth explained how Jane’s poetry had always been “a creative offshoot of her desire to understand the nature of existence and reality, her way of probing psychically… into other realms… a method of investigation and a method of exploring the results.”

(Her fiction, Seth added, was Jane’s “way of probing probabilities and of trying to understand other people. All of her [writing] is a part of her creative life, but now she is investigating the nature of reality far more directly…. There is a great unity in the personality’s main interests. Nothing will be left behind. The creative self is operating, you see — going exactly where it wants to go.”

(Jane’s psychic experiences, Seth said, would themselves initiate other creative endeavors, leading her to delve into deeper, literally unending, universal pools of creativity.

[... 1 paragraph ...]

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