“Seth material” search engine (Jane Roberts)

(9:35.) Like a true absent-minded professor, the conscious self forgets all this, however, so when tragedy appears in the script, difficulty or challenges, the conscious self looks for someone or something to blame. Before this book is done I hope to show you precisely how you create each minute of your experience so that you can begin to exert your true creative responsibility on a conscious level — or nearly so.

Now in the same way, I am telling you that objects are also symbols that stand for a reality whose meaning the objects, like the letters, transmit. The true information is not in the objects any more than the thought is in the letters or in words. Words are methods of expression. So are physical objects in a different kind of medium. You are used to the idea that you express yourselves directly through words. You can hear yourself speak them. You can feel the muscles in your throat move, and if you are aware, you can perceive multitudinous reactions within your own body — actions that all accompany your speech.

It is only from this viewpoint that the true nature of physical matter can be understood. It is only by comprehending the nature of this constant translation of thoughts and desires — not into words now, but into physical objects — that you can realize your true independence from circumstance, time, and environment.

I am pleased with the beginning of my chapter, for I think I have hit upon an analogy, and a true one, that will release the reader from the artificial bondage of physical form. When he sees it as a method of his own expression, he will realize his own creativeness.